Data courtesy of the Grand Comics Database under Creative Commons license.

Issue Details

Issue #49
Published September 1957
Cover Price 0.10 USD
Pages 36
Editing Whitney Ellsworth (credited); Robert Kanigher (actual)
Notes Credits for pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics. Schwartz kept editorial records for Robert Kanigher, who edited this issue (added by Greg Fischer, December 2007).

Cover Details - "Walking Target!"

Genre War
Pencils Jerry Grandenetti
Inks Jerry Grandenetti
Notes Credits for pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics. Schwartz kept editorial records for Robert Kanigher, who edited this issue (added by Greg Fischer, December 2007).

6 page story "Walking Target!"

Genre War
Script Robert Kanigher
Pencils Ross Andru
Inks Mike Esposito
Notes Julius Schwartz's editorial records, provided by DC Comics, show Ross Andru as being paid for the pencils and inks for this story, however Mike Esposito worked with Ross and scholars agree he inked this story (added by Greg Fischer, December 2007).

6 page story "The Mighty Mosquito!"

Genre War
Script Ed Herron
Pencils Joe Kubert
Inks Joe Kubert
Notes Credits for pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics (added by Greg Fischer, December 2007).
Reprinted in Our Army at War (DC, 1952 series) #269 (June 1974)

1 page story "Aviation Almanac"

Genre War
Script Morris Waldinger
Pencils Morris Waldinger
Inks Tom Nicolisi

6 page story "The 60-Ton Ace!"

Genre War
Script Bob Haney
Pencils Jack Abel
Inks Jack Abel
Notes Credits for pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics (added by Greg Fischer, December 2007).

1 page Combat Corner letters page "Combat Corner"

Letters typeset

8 page story "Fighting Machine!"

Genre War
Script Robert Kanigher
Pencils Ross Andru
Inks Mike Esposito
Notes Julius Schwartz's editorial records, provided by DC Comics, show Ross Andru as being paid for the pencils and inks for this story, however Mike Esposito worked with Ross and scholars agree he inked this story (added by Greg Fischer, December 2007).