| Issue | #589 |
| Published | October 1954 |
| Cover Price | 0.10 USD |
| Pages | 36 |
| Editing | ? |
| Notes | Indicia title is "BUCK JONES, No. 589." Code number is B.J.O.S. #589-5410. Copyright 1954 by Mrs. Odille D. Jones. Fifth of eight Buck Jones Four Colors. Would have been Buck Jones #12 had regular series continued. |
| Characters | Buck Jones |
| Genre | western |
| Pencils | ? (painting) |
| Inks | ? (painting) |
| Colors | ? (painting) |
| Notes | Indicia title is "BUCK JONES, No. 589." Code number is B.J.O.S. #589-5410. Copyright 1954 by Mrs. Odille D. Jones. Fifth of eight Buck Jones Four Colors. |
| Synopsis | Directions for making a wooden neckerchief slide. |
| Pencils | August Lenox |
| Inks | August Lenox |
| Letters | typeset |
| Notes | Inside front cover; black and white. Text with illustrations. Pencils and inks credits for this sequence from Alberto Becattini (May 14, 2007) |
| Characters | Buck Jones; Silver-B (horse); Sheriff Collins |
| Synopsis | Cliff Starch, who once robbed stages as "The Domino," disguised in a polka dot cloak and hood, has been released from prison. He comes to Lodestar at the same time that Susan Logan comes in on the stage to take over her father's ranch after his death. The Domino apparently reappears and wants Susan dead. |
| Genre | western |
| Script | Phil Evans |
| Pencils | Mike Arens |
| Inks | Mike Arens |
| Letters | Mike Arens |
| Notes | Script, pencils, inks, and letters credits for this sequence from Alberto Becattini (May 14, 2007) |
| Characters | Buck Jones; Silver-B (horse) |
| Synopsis | Buck travels past "Hurricane Ridge" on his way to a wedding in Tornado. He finds a fellow guest invited to the wedding has been ambushed. On arrival at Tornado, Buck finds that other guests have been robbed at the same spot. |
| Genre | western |
| Script | Phil Evans |
| Pencils | Mike Arens |
| Inks | Mike Arens |
| Letters | Mike Arens |
| Notes | Story continues on inside back cover in black and white and concludes on back cover in color. Script, pencils, inks, and letters credits for this sequence from Alberto Becattini (May 14, 2007) |