Issue | #319 |
Published | August 1982 |
Cover Price | 0.60 USD |
Pages | 36 |
Editing | Victor Gorelick; Rick Goldwater (editor-in-chief) |
Characters | Betty Cooper; Veronica Lodge; Waldo Weatherbee; Geraldine Grundy; Chuck Clayton; Jughead Jones; Archie Andrews |
Synopsis | Betty and Veronica debate the school issues in their bids to be class president. |
Genre | Teen Humor |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Characters | Hank Aaron |
Characters | Betty Cooper; Veronica Lodge; Archie Andrews; Harry Dunn |
Genre | Teen Humor |
Script | Frank Doyle [as F. Doyle] |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Letters | Bill Yoshida |
Characters | Archie Andrews; Jughead Jones; Hiram Lodge; Veronica Lodge; Betty Cooper; Geraldine Grundy; Midge Klump; Moose Mason; Reggie Mantle |
Synopsis | The gang get dressed up for a Greek festival. |
Genre | Teen Humor |
Script | Frank Doyle [as F. Doyle] |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Letters | Bill Yoshida |
Characters | Betty Cooper; Veronica Lodge; Archie Andrews; Jughead Jones |
Synopsis | Veronica, dateless and desperate on a Saturday night, goes out with Jughead. They fly to a small Mexican town in the Lodge private jet but are spotted by the paparazzi. The papers carry pics of Veronica and her "latest lover." |
Genre | Teen Humor |
Script | Frank Doyle [as F. Doyle] |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Letters | Bill Yoshida |
Pencils | Jack Davis |
Characters | Betty Cooper; Veronica Lodge |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Letters | Bill Yoshida |
Characters | Waldo Weatherbee; Betty Cooper; Veronica Lodge; Archie Andrews; Geraldine Grundy; Bernice Beazley |
Synopsis | Veronica gets conned into washing the cafeteria dishes. |
Genre | Teen Humor |
Script | Frank Doyle [as F. Doyle] |
Pencils | Dan DeCarlo |
Inks | James DeCarlo |
Colors | Barry Grossman |
Letters | Bill Yoshida |
Notes | This was the first story in this title to return to the layout that Archie comics had used in the late '50s and early '60s, with four or five panels on the first page and extra small panels on the subsequent pages. Archie editor Victor Gorelick told the Comics Journal that the larger number of panels was a way of "giving the kids a bit more for their money" after all the Archie titles switched to bi-monthlies. |