Mad (1952 EC) Magazine comic books 1965

25¢ Cover price. Cover art by Norman Mingo. "The Mad Safety Council's Predictions for the Upcoming Christmas Weekend," script by Stan Hart, art by Sergio Aragones. "The Carpetsweepers," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Carpetbaggers," a young man inherits his father's vast estate and promptly becomes an ass about it. "The Mad In and Out Book," script by Arnie Kogen, art by Paul Coker, Jr.; Series of examples of what is fashionable and what is no longer fashionable. Art in the margins by Sergio Aragones. "The Accident," script and art by Don Martin; Two men try to aid an auto accident victim. "Shakespeare Up to Date," script by William Garvin, art by Jack Rickard. "Spy Vs. Spy," script and art by Antonio Prohias. "Children's Safety Songs," script by Larry Siegel, art by Joe Orlando. "The Sites and Sounds of the U.S.A.: Chicago," script by Larry Siegel and Frank Jacobs, art by Paul Coker, Jr. "Every Day Life Olympic Games," art by Joe Orlando. "Spy Vs. Spy," script and art by Antonio Prohias. "Neighborhood Celebrities," script by Stan Hart, art by George Woodbridge. "The Lighter Side of Adult Parties," script and art by Dave Berg. "Phoney Magazine," script by Stan Hart, art by George Woodbridge; Niche magazine aimed at people who try to act more impressive than they actually are. "A Visit to the Country," script and art by Don Martin. "The Mad Safety Council's Predictions For the Upcoming New Year's Weekend," script by Stan Hart, art by Sergio Aragones; Illustrated examples of accidents that will happen over the New Year's weekend and how many will fall victim. 52 pgs., B&W. Cover price $0.25.

30¢ Cover price. Cover art by Norman Mingo. "The Mad Safety Council's Predictions for the Upcoming Christmas Weekend," script by Stan Hart, art by Sergio Aragones. "The Carpetsweepers," script by Larry Siegel, art by Mort Drucker; In a parody of the film "The Carpetbaggers," a young man inherits his father's vast estate and promptly becomes an ass about it. "The Mad In and Out Book," script by Arnie Kogen, art by Paul Coker, Jr.; Series of examples of what is fashionable and what is no longer fashionable. Art in the margins by Sergio Aragones. "The Accident," script and art by Don Martin; Two men try to aid an auto accident victim. "Shakespeare Up to Date," script by William Garvin, art by Jack Rickard. "Spy Vs. Spy," script and art by Antonio Prohias. "Children's Safety Songs," script by Larry Siegel, art by Joe Orlando. "The Sites and Sounds of the U.S.A.: Chicago," script by Larry Siegel and Frank Jacobs, art by Paul Coker, Jr. "Every Day Life Olympic Games," art by Joe Orlando. "Spy Vs. Spy," script and art by Antonio Prohias. "Neighborhood Celebrities," script by Stan Hart, art by George Woodbridge. "The Lighter Side of Adult Parties," script and art by Dave Berg. "Phoney Magazine," script by Stan Hart, art by George Woodbridge; Niche magazine aimed at people who try to act more impressive than they actually are. "A Visit to the Country," script and art by Don Martin. "The Mad Safety Council's Predictions For the Upcoming New Year's Weekend," script by Stan Hart, art by Sergio Aragones; Illustrated examples of accidents that will happen over the New Year's weekend and how many will fall victim. 52 pgs., B&W. Cover price $0.25.

Add to cart VG- 3.5 $17.75 View scan Water spotting.	Add to cart GD+ 2.5 $7.00 View scan	Add to cart GD+ 2.5 $7.00 View scan	Add to cart GD+ 2.5 $8.00 1 1/4" cumulative spine split.
Add to cart GD- 1.8 $9.10

25¢ Cover price. Cover art by Norman Mingo. Statement of ownership; Total paid circulation 1,669,886. "A Child's View of Newspaper Headlines," script and art by Al Jaffee; Examples of how a child might take headline jargon literally. "The Official Barber," script and art by by Don Martin; A man has the job of upkeep on the Mount Rushmore monument. "Mad Looks at a Typical Kiddie TV Show," script by Larry Siegel, art by Mort Drucker; A kid's show host tries to cope with an audience of cynical children. "Spy Vs. Spy," script and art by Antonio Prohias. "The Lighter Side of Teenage Parties," script and art by Dave Berg. "Space Magazines," script by Arnie Kogen, art by Joe Orlando. "Spy Vs. Spy," script and art by Antonio Prohias. Cartoons in the margins by Sergio Aragones. "A Mad Look at Signs of the Times," script by Al Jaffee, Don Reilly, and Dick DeBartolo, art by Bob Clarke; Road and advertising signs altered to appeal to modern problems and sensibilities. "Another (whew) Visit to the Doctor's Office," script and art by Don Martin; A man can fire darts from his mouth by pressing the top of his head like a plunger. "When They Advertise Liquor on TV," script by Frank Jacobs, art by Jack Rickard. "Spy Vs. Spy Vs. Spy," script and art by Antonio Prohias. "The Flying Ace," script by Dick DeBartolo, art by Mort Drucker; Ringo Starr stars as a World War II fighter pilot trying to land his damaged plane safely at his base near enemy lines. "What Brilliant New Ideas Has the Current TV Season Produced" Mad Fold-In, script and art by Al Jaffee. 52 pgs., B&W. Cover price $0.25.

30¢ Cover price. Cover art by Norman Mingo. Statement of ownership; Total paid circulation 1,669,886. "A Child's View of Newspaper Headlines," script and art by Al Jaffee; Examples of how a child might take headline jargon literally. "The Official Barber," script and art by by Don Martin; A man has the job of upkeep on the Mount Rushmore monument. "Mad Looks at a Typical Kiddie TV Show," script by Larry Siegel, art by Mort Drucker; A kid's show host tries to cope with an audience of cynical children. "Spy Vs. Spy," script and art by Antonio Prohias. "The Lighter Side of Teenage Parties," script and art by Dave Berg. "Space Magazines," script by Arnie Kogen, art by Joe Orlando. "Spy Vs. Spy," script and art by Antonio Prohias. Cartoons in the margins by Sergio Aragones. "A Mad Look at Signs of the Times," script by Al Jaffee, Don Reilly, and Dick DeBartolo, art by Bob Clarke; Road and advertising signs altered to appeal to modern problems and sensibilities. "Another (whew) Visit to the Doctor's Office," script and art by Don Martin; A man can fire darts from his mouth by pressing the top of his head like a plunger. "When They Advertise Liquor on TV," script by Frank Jacobs, art by Jack Rickard. "Spy Vs. Spy Vs. Spy," script and art by Antonio Prohias. "The Flying Ace," script by Dick DeBartolo, art by Mort Drucker; Ringo Starr stars as a World War II fighter pilot trying to land his damaged plane safely at his base near enemy lines. "What Brilliant New Ideas Has the Current TV Season Produced" Mad Fold-In, script and art by Al Jaffee. 52 pgs., B&W. Cover price $0.25.

Cover art by Norman Mingo. "Mad's Valentines to American Industry," script by Frank Jacobs, art by Mort Drucker, Don Martin, Jack Rickard, Paul Coker, Jr., Bob Clarke, and George Woodbridge; Cynical Valentine messages with subtle criticisms of various industries. "007," script by Frank Jacobs, art by Mort Drucker; A prototypical James Bond plot is presented as a Gilbert and Sullivan musical. "Famous People's Home-Study Courses," script by Al Jaffee, art by Bob Clarke; In a parody of Famous Artist School correspondence course, a correspondence school claims it can make you rich and famous through its mail-order courses. "A Fine Day in the City," script and art by Don Martin; A man is curious about a procession of men shaking uncontrollably as they pass him. Cartoons in the margins by Sergio Aragones. "A Mad Look at Winter Sports," script and art by Sergio Aragones. "Spy Vs. Spy," script and art by Antonio Prohias. "Neurotic Magazine," script by Stan Hart, art by George Woodbridge. "The Lighter Side of Kids' Parties," script and art by Dave Berg. "Son of Mighty Joe Kong," script by Dick DeBartolo, art by Mort Drucker; Parody remake of "King Kong"; two cynical promoters and a vapid actress bring a giant ape to New York to succeed on Broadway. 52 pgs., B&W. Cover price $0.25.

Cover art by Norman Mingo. "Mad Visits a Typical Teenage Beach Movie," script by Larry Siegel, art by Mort Drucker; Satire of the beach movie genre; a group of teenagers surf, suffer relationship problems, surf some more, and generally act irresponsibly. Cartoons drawn in the margins, art by Sergio Aragones. "If Kids Used Movie Cliches in Everyday Life," script by Harry Purvis, art by Paul Coker, Jr.; Examples of children acting out famous overdone movie scenes. "Hair Goo," script by Al Jaffee, art by Jack Rickard; A niche magazine dedicated to outlandish hairstyles. "Mad Magazine Introduces 43-man Squamish," script by Tom Koch, art by George Woodbridge; Mad creates a new sport, a combination of polo, soccer and gang fighting. "Spy Vs. Spy," script and art by Antonio Prohias. "The Modern Highwayman," script by Alfred Noyes (plot) and James T. Shannon, art by Don Martin; The classic poem "The Highwayman" is updated to reflect modern times. "The Mad Gun Owners and Other Small Bores Primer," script by Larry Siegel, art by George Woodbridge; Satirical look at guns, gun owners and hunters, presented in a children's primer format. "The Lighter Side of Spring," script and art by Dave Berg; The behavior of people during springtime is satirized. "Passion Place," script by Stan Hart, art by Mort Drucker; In a satire of the film "Peyton Place," a newspaper publisher takes the audience on a tour of a town where the population is too busy cheating on each other to get anything constructive done. 52 pgs., B&W. Cover price $0.30.

Cover art by Norman Mingo. "Substandard Brands, Inc.," script by Ronald Axe and Sol Weinstein, art by Bob Clarke; Consumer products, parodying then current ad campaigns, which are blatantly and proudly inferior. "The Man From A.U.N.T.I.E.," script by Arnie Kogen, art by Mort Drucker; In a parody of the series The Man From U.N.C.L.E., two secret agents wander through a semi-serious plot trying to track down the head of a rival spy organization. "On the Job," script and art by Don Martin; A construction worker accidentally eats one of his tools for lunch. Cartoons on the margins by Sergio Aragones. "Spy Vs. Spy," script and art by Antonio Prohias; The White Spy tricks the Black Spy with a flying serum. "Unspoken Messages in TV Commercials," script by Tom Koch, art by Joe Orlando. "Today's Typical "Sales & Promotional" Gimmicks," script by Larry Siegel, art by Paul Coker, Jr.; Examples of sales promotions of dubious value. "The Lighter Side of the Boss," script by Dave Berg, art by Dave Berg; Satire of various people and their relationships with their boss at work. "Crazy Fists," script by Dick DeBartolo, art by Mort Drucker; In a satire of the "boxing movie" genre, a youth gives up his ambitions to become a musician in order to make a living as a professional boxer. "The Harvest We Shall Reap From the Super-Patriots' Methods of Exposing Communist Plotters in America" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.30.

Cover art by Norman Mingo. "Being Rich Is Better Than a Warm Puppy," script and art by Al Jaffee; Examples of the advantages rich kids have over other kids. "A Frightful Incident," script and art by Don Martin; A woman tries to rescue her husband from a precarious situation. "Mad Goes to a Screening of Cheyenne Awful," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Cheyenne Autumn," director John Ford screens his film "Cheyenne Awful," about a tribe of Native Americans and U.S. Cavalry soldiers generally acting silly. Cartoons in the margins by Sergio Aragones. "A Mad Look at Garbagemen," script and art by Sergio Aragones; Satirical look at the duties and habits of sanitation workers. "The Walt Cronkite Show," script by Frank Jacobs, art by Jack Rickard; Newscaster Walter Cronkite hosts a television variety show with political and sports figures as performing guests. "In the Desert," script and art by Don Martin. "Load & Crash," script by Tom Koch, art by George Woodbridge; Parody of automobile-centric niche magazines, this one showing the reader how to decrease the value of their auto and which valueless makes to consider buying. "Spy Vs. Spy," script and art by Antonio Prohias. "Mad Interviews a John Birch Society Policeman," script by Ronald Axe and Sol Weinstein, art by Joe Orlando; Mad profiles a bigoted police officer as he patrols his shift. "The Lighter Side of Employees," script and art by Dave Berg. "The Rooks," script by Stan Hart, art by Mort Drucker; In a parody of the TV series "The Rogues," three brothers and a family friend team up to con dishonest power brokers and seduce women half their age. "What Comes After Pop Art and Op Art" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.30.

Cover art by Norman Mingo. The letters page features letters with pictures from Mick Jaqgger (of The Rolling Stones), Gerry Marsden (of Gerry & the Pacemakers), Herman's Hermits, and Donna Douglas (Elly Mae Clampett on The Beverly Hillbillies). "Surfing," script by Al Jaffee, art by George Woodbridge; Satirical look at the sport of surfing. "A Dreadful Day," script and art by Don Martin; A woman tries to rescue her husband from a well. "Flapper," script by Dick DeBartolo, art by Mort Drucker; In a parody of the TV series "Flipper," the story of a boring game warden, his two sons and the dolphin (or porpoise) who is smarter than all of them put together. "Mad's Snappy Answers to Stupid Questions," script and art by Al Jaffee. Cartoons in the margins by Sergio Aragones. "Spy Vs. Spy," script and art by Antonio Prohias. "Fight Songs For the Common Man," script by Frank Jacobs, art by George Woodbridge; New lyrics are added to famous songs to reflect the trials and tribulations of common people. "Mad's Summer Camp for Adults," script by Larry Siegel, art by Paul Coker, Jr. "The Mad Academy Awards for Small Businessmen," script by Stan Hart, art by Jack Rickard; Giving awards to small business operators who provide creative lack of service to their customers. "The Mad United States Foreign Policy Primer," script by Larry Siegel (as Lawrence Harvey Siegel), art by Bob Clarke (as Robert James Clarke). "The Lighter Side of Summer Evenings," script and art by Dave Berg. "Spy Vs. Spy Vs. Spy," script and art by Antonio Prohias. "Lord Jump," script by Larry Siegel, art by Mort Drucker; In a parody of the film "Lord Jim," a sailor branded for cowardice falls into a confrontation between island natives and a mad General and stays cowardly. "One Summer Afternoon," script and art by Don Martin. "Who Are the Disaster Victims That Nobody Helps?" Mad Fold-in by Al Jaffee. 52 pgs., B&W. Cover price $0.30.

Add to cart Very Good $8.60

Add to cart Very Good $8.60

"When Politicians Do Television Commercials," script by Donald Axe and Sol Weinstein, art by Jack Rickard; Famous political figures are recruited as commercial spokespeople. Cartoons in the margins by Sergio Aragones. "Three Hairy Stories," script and art by Don Martin; A man gets a haircut; another man tries to cover his bald spot; a third man grooms his mustache. "The Virginiaham," script by Lou Silverstone, art by Mort Drucker; In a parody of the TV show "The Virginian," a frontier judge and a group of incompetent cowboys tries to prevent a menacing stranger from disrupting their boring little ranch. "Mad Interviews the Greeting Card Manufacturer of the Year," script by Stan Hart, art by Joe Orlando. "Spy Vs. Spy," script and art by Antonio Prohias. "The Lighter Side of Moving," script and art by Dave Berg. "Horror Movie Scenes We'd Like to See," script by Don Edwing, art by Jack Davis. "The Rime of the Modern Surfer," script by Tom Koch, art by Don Martin; In a parody of the poem "The Rime of the Ancient Mariner"; an egotistical surfer travels too far and ends up in the Arctic Circle. "Football In Depth," script by Ronald Axe and Sol Weinstein, art by George Woodbridge. "What Wild Frenzy Will Future College Students Face?" Mad Fold-In by Al Jaffee. 52 pgs., B&W. Cover price $0.30.