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Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden comic books 1920

  • 1920, #1
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    Issue #1 - first half of Jan. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

    • Spine split 5%. Staple rust: Slight.

    Issue #1 - second half of Jan. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #3
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    • Spine split 25%. Staple rust: Slight.

    Issue #3 - first half of Feb. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #4

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    Issue #4 - second half of Feb. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #5

    This item is not in stock at MyComicShop. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available.

    Issue #5 - first half of Mar. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

    • Spine split 60%. Staple rust: Slight.

    Issue #6 - second half of Mar. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

    • Spine split 10%. Staple rust: Moderate.

    Issue #7 - first half of Apr. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

    • Spine split 10%. Staple rust: Slight.

    Issue #8 - second half of Apr. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #9
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    Issue #9 - first half of May 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #10
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #10


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    • Spine split 50%. Water damage: Slight. Staple rust: Slight.

    Issue #10 - second half of May 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #11
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #11


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    • Spine split 50%. Staple rust: Slight.

    Issue #11 - first half of June 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #12
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    • Spine split 10%. Staple rust: Moderate.

    Issue #12 - second half of June 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #13
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #13


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    • Spine split 5%. Water damage: Slight. Staple rust: Moderate.

    Issue #13 - first half of July 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #14
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #14


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    • Spine split 5%. Water damage: Slight. Staple rust: Moderate.

    Issue #14 - second half of July 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #15
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    • Spine split 25%. Water damage: Moderate. Staple rust: Moderate.

    Issue #15 - first half of Aug. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #16
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    • Cover Detached.

    Issue #16 - second half of Aug. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #17
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #17


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    • Spine split 5%. Water damage: Slight.

    Issue #17 - first half of Sept. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #18
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #18


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    • Spine split 70%.

    Issue #18 - second half of Sept. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #19
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    Issue #19 - first half of Oct. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #20
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #20


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    Issue #20 - second half of Oct. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #21

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    Issue #21 - first half of Nov. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #22

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    Issue #22 - second half of Nov. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #23
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #23


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    Issue #23 - first half of Dec. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #24
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #24


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    Issue #24 - second half of Dec. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.