Comic Art
- Original Comic Art
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Drawings, Sketches, Paintings, etc.
- Drawing/Sketch 139 items
- Illustration 20 items
- Painting 26 items
- Prelim 3 items
- Sketch Card 42 items
- Sketch Cover 9 items
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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'Katherine' Pinup by Julius Zimmerman 1995 A gorgeous piece from the noted pinup artist with bold color choices and stunning figure work. Signed by the artist. Colored pencil and paint on coquille paper with protective vellum overlay attached on the reverse. 22" x 15". |
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'Magdaline' Original Pinup by Julius Zimmerman 1995 A striking pinup from Zimmerman who makes incredible use of coquille paper to create a stippling effect on the figure and using the solid black background to make the figure stand out even more. Signed by the artist. Colored pencil and paint on coquille paper with protective vellum overlay attached on the reverse. 22" x 15". |
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Barbarian Double Page Splash, Artist Unknown (Possibly Geof Isherwood) 2000s While we were not able to identify the artist or whether or not this piece was published, it sure is a beauty! This masterful montage calls to mind the saga of Conan as he ages and eventually becomes a king. Pencil with inked border on two unattached sheets of Image Comics art board that each measure 11" x 17". |
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Crisis on Infinite Earths Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles #137 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles House Ad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Golden Age Sandman & Dr. Mid-Nite Cover from The Secret History of All-American Comics by Larry Guidry (Unused) 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Green Lantern Family #164 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with spot inks on art board. 11" x 17". |
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Justice League of America #10 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kid Flash/Electron/Hawklad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #240 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #263 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with on art board. 11" x 17". |
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Lantern Legion #304 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Light at Last Original Illustration by Jim R. Odbert (Nybor) 1988 A bold piece from the prolific sci-fi and fantasy artist that makes great use of negative space in this image of a falconer and his partner lit from behind. Mixed media on heavy board which has been double matted. Full piece measures 17" x 22". |
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Original Art for Over the Garden Wall Screen Print Poster (2019 Mondo) by Andrew MacLean 2018 A beautiful piece that perfectly captures the mixture of wonder and dread that made the Cartoon Network series an instant classic. Head Lopper creator Andrew MacLean does a tremendous job with the layout, framing Wirt, Greg, and Beatrice within a forest that becomes Aunty Whispers' cloak- a clever nod to the series' penchant for challenging expectations as while Whispers certainly seems villainous, she is not the threat our heroes must contend with. Pencil and ink on two sheets of comic art board which are affixed to each other with painter's tape on the reverse. Full piece measures 17" x 22". |
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Original Art from Marvel Super Heroes Magazine Iceman Illustration by Scott Koblish 2010s Marvel Bobby Drake looks...well, cool in his classic 'snowman' form in this great piece from Scott Koblish for Marvel's kid-focused magazine that featured comics alongside puzzles and games. Pencil and ink on art board. 10 1/4" x 14 7/8". |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration of the movie's new villain Voodoo Child makes for a fantastic introduction to the character. Signed by Perkins in middle right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this stunning widescreen splash-style illustration portrays a gruesome hanging! Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Superman #123 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Swamp Thing Licensing Art by Carmine Infantino 1980s DC Licensing art requires iconic and instantly recognizable renditions of characters and DC legend Carmine Infantino delivers exactly that in this gorgeous Swamp Thing illustration produced for Shirt Shed. Pencil and ink on art board. 11" x 15 3/4". |
