Comic Art
- Original Comic Art
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Drawings, Sketches, Paintings, etc.
- Drawing/Sketch 95 items
- Illustration 19 items
- Painting 20 items
- Prelim 3 items
- Sketch Card 46 items
- Sketch Cover 10 items
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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'Katherine' Pinup by Julius Zimmerman 1995 A gorgeous piece from the noted pinup artist with bold color choices and stunning figure work. Signed by the artist. Colored pencil and paint on coquille paper with protective vellum overlay attached on the reverse. 22" x 15". |
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'Magdaline' Original Pinup by Julius Zimmerman 1995 A striking pinup from Zimmerman who makes incredible use of coquille paper to create a stippling effect on the figure and using the solid black background to make the figure stand out even more. Signed by the artist. Colored pencil and paint on coquille paper with protective vellum overlay attached on the reverse. 22" x 15". |
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Amazing Spider-Man #53 Homage Sketch by Ron Williams In auction ending September 11 2020s Signed by the artist. Pencil and ink on art board. 6" x 9". |
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Aquaman Sketch by Jim Calfiore In auction ending September 11 2021 A wonderfully moody expressions graces the face of the King of Atlantis here in this fantastic sketch from Calafiore. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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B'Wana Beast Sketch by Chris Ring In auction ending October 30 2020s Beautifully colored with bold, clean lines, the Silver Age jungle hero is ready for action! Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Balder the Brave Sketch by Michael Lynch 2020 Signed by the artist. Pencil and ink on art board. 6" x 9". |
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Barbarian Double Page Splash, Artist Unknown (Possibly Geof Isherwood) 2000s While we were not able to identify the artist or whether or not this piece was published, it sure is a beauty! This masterful montage calls to mind the saga of Conan as he ages and eventually becomes a king. Pencil with inked border on two unattached sheets of Image Comics art board that each measure 11" x 17". |
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Baroness Sketch by Brian Shearer 2026 Signed by the artist. Pencil on art stock. 5 1/4" x 8 1/2" |
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Baroness Sketch by Brian Shearer 2025 Signed by the artist. Ink over printed roughs on art board. 9" x 12". |
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Batman '66 Batusi Pinup by Pat Broderick 2016 Industry great Pat Broderick turns in a detailed and expressive piece featuring the Caped Crusader performing his signature dance move! Signed by the artist. Pencil and ink on art board. 11" x 17". |
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Batman Commission by Jim Lee 2005 Lee's rendition of the Dark Knight has become the default look of Batman in the modern age and it's easy to why in this beautiful piece. Lee's use of mixed media gives the piece a wonderful sense of texture and energy, perfect for large format. Signed by the artist (personalized) and dated 4-2-2005. Pencil, ink, ink wash, and correction fluid on comic art board. 11" x 17". |
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Batman Commission by Rafa Sandoval 2020s An outstanding bust shot of The Dark Knight from Absolute Superman artist Rafa Sandoval that sees the artist showing off his shading skills. Sandoval puts so much care into small details- the shadow of Batman's left 'ear', the draping of the cape around his right shoulder -that all add up to a wonderfully rich image. Signed by the artist. Pencil, ink, and alcohol marker on art board. 8 1/4" x 11 3/4". |
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Batman Painting by Riccardo Federici 2020s One of the most exciting and unique artists to make a name for themselves in American comics recently, Riccardo Federici's pencil-heavy style has been a joy to behold both on covers and interiors- especially the current run of Detective Comics. This stunning piece is full of texture and detail from the battle damage on Batman's gauntlets to the barely contained rage in his gritted teeth. An outstanding rendition of the Dark Knight from a true talen! Signed by the artist. Pencil, watercolor, and acrylic on art board. 12 1/4" x 16 1/8". |
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Batman Pinup by F. Newton Burcham 2000 While superheroes aren't Burcham's typical subject, he turns in a fascinating Batman here blending bits of Frank Miller and Kelley Jones' iconic depictions of the Dark Knight into something wholly unique. Ink on heavy paper stock. 12" x 17 3/4". |
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Batman Pinup by Jason Craig 2011 Horror artist extraordinaire Jason Craig puts the Dark Knight in a spooky situation in this fantastic piece with energetic pencils that perfectly capture a feral zombie attack! Pencil on the reverse of DC Comics art board. 11 1/2" x 17" |
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Batman Sketch by Al Bigley 2005 A gorgeous rendition of the Dark Knight from Bigley, beautifully inked with heavy, blocky blacks that create an evocative image of Batman emerging from the depths of his wildly flowing cape. Signed by the artist. Pencil and ink on heavy paper stock. 13" x 13 1/2". |
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Batman Sketch by Cully Hamner 2010s Signed by the artist. Pencil and ink on art board. 9" x 12". |
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Batman Sketch by Mike Mignola In auction ending October 14 1990s A loose but evocative sketch from Mignola that shows the Dark Knight gritting his teeth in determination! Signed by the artist. Pencil and ink on heavy paper stock. Paper measures 11 1/4" x 16 1/4", image area is approximately 5 3/4" x 7". |
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Batman Sketch Card by Brian Shearer 2020s Signed by the artist. Pencil, ink, and watercolor on sketch card. 2 1/2" x 3 1/2" |
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Big Barda Sketch by Mike DeCarlo In auction ending October 2 2020s Heavy but detailed linework gives the Fourth Worlder an appropriately Kirby flair, especially in her Mega Rod. Signed by the artist. Blue line pencil and ink on art board. 8 1/4" x 11 3/4". |
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Black Canary Sketch by Joe Staton In auction ending November 13 2021 Staton's iconic style shines through in this great headshot of everyone's favorite bird! Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Black Knight Sketch by Michael Lynch 2021 Signed by the artist. Pencil and ink on art board. 5 1/2" x 8 1/2". |
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Black Panther Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Black Widow Sketch by Michael Wilson 2009 Signed by the artist. Pencil on paper. 10 1/2" x 14". |
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Booster Gold and Blue Beetle Sketches by Kevin Maguire 1987 The legendary Kevin Maguire turns in a phenomenal pair of sketches of the BFFs he helped turn into fan-favorites! Maguire's fantastic, detailed but deliberate pencil work is on fine display here as well as his mastery of facial expressions. Both are pencil on art board and measure 9" X 12" |
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Captain America and Bucky Illustration by Jack Kirby 1970s It doesn't get any better than this! This oversized, fully rendered, and detail-packed by piece by the The King himself is a truly breathtaking work of art. All of the hallmarks of Kirby's work are present here- the overpowering anatomy of our hero, the dramatic posing, the detailed background, and of course the trademark Kirby Krackle. Signed by the artist in lower center of piece. Pencil on heavy paper stock. Image area of 15 1/4" x 22", full piece measures 18" x 24". |
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Captain America Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Cave Girl Pinup by F. Newton Burcham 2000 A clear homage to Frazetta's iconic depiction of Edgar Rice Burroughs's Cave Girl, Newton's bright color pallet and defined lines add a level of flair to the typically muddy and dour subject matter. Pencil, ink, and watercolor on mixed media stock. 11" x 15". |
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Cavewoman Pinup by Demetrios Moyles 1990s The Coppertone homage is a staple of pinup art and Moyles turns in a great interpretation here with soft pencil work and an excellent sense of texture that enhances his already great figure work. Signed by the artist. Pencil on art board. 11" x 14". |
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Cavewoman Pinup by Jeffery Egli 2001 Egli makes wonderful use of airbrush in this bright, playful pinup. Pencil, ink, acrylic, and airbrush on art board. 11" x 14". |
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Cerebus Sketch by Gerhard 2000s Joining the cult-hit Cerebus with its 65th issue as a background artist, Gerhard's intricate and lush artwork gave the series a visual depth that enhanced the series' trademark mixture of comics parody, cultural criticism, and philosophical wanderings. This beautiful sketch perfectly captures the visual magic of the series thanks not only to Gerhard's detailed linework but his great use of inkwash on Cerebus as well. Signed by the artist. Pencil and ink on art board. 11" x 7", image area of 4 1/4" x 6 1/4". |
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Cheshire Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Cleopatra Illustration by Jean Elizabeth Martin (JEM) In auction ending October 2 1985 A stunning piece with bold, clean pencil art! Pencil on paper which has been affixed to a sheet of heavy board. The drawing was originally done on two separate pieces of paper which were attached to each other with tape before being affixed to the board. 13 3/4" x 9 1/4". |
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Cliffjumper Sketch Card by Brian Shearer 2020s Signed by the artist. Pencil, ink, and watercolor on sketch card. 2 1/2" x 3 1/2" |
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Conan the Barbarian Pinup by Di Amorim 2000 A powerful, cover-worthy piece from Amorim that's pratically crackling with energy as everyone's favorite Barbarian finds himself in a situation usually reserved for the ladies he encounters- chained and at the mercy of snarling beast! Blue line and standard pencil on comic art board. 11 1/4" x 17 1/2". |
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Conan the Barbarian Pinup by Di Amorim 2000 Used as a submission piece, Amorim has packed the piece with a positively astounding amount of detail in this image of the legendary barbarian resting in the jungle. Blue line and standard pencil on heavy paper stock. 11 3/4" x 16 1/2". |
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Crisis on Infinite Earths Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Cyberfrog Rogues Gallery Commission by Mike Wilson 2025 Signed by the artist. Pencil and ink on art board. 8 1/2" x 11" |
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Cyborg Orca Sketch by Bill Maus 2025 A cool concept beautifully illustrated with dense layers of heavy machinery revealed in almost cross-section fashion. Signed by the artist. Pencil and ink on art board. 17" x 11". |
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Danger Girl Pinup Set (3) by Jeffery Egli 2002 Abby, Natasia, and Sidney look as charming as ever in this set of pieces thanks to Egli's clean, almost animated style greatly enhanced by his spectacular airbrush work. Each piece is done with pencil, ink, watercolor, and airbrush and measures 11" x 14". |
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Daredevil Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Dart Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Dart Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Dawnstar Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Death Dealer Pinup by Don Marquez 2003 A menacing portrait of the iconic supernatural warrior with his trademark axe gripped tight, stalking right towards you! Signed by the artist. Pencil, ink, and watercolor on art board. 11" x 14". |
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Demon Couple Pinup by MYKE (Mike Rechlin) 1997 Rechlin captures the spirit of 90's comics beautifully here with this pair of demons, one a seductive but clearly dangerous bad girl and the other a hulking brute with bulging veins and a scowl! Pencil and ink on comic art board. 11" x 17". |
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Demon Sketch by Franco In auction ending September 18 2020s Incredible coloring that makes the piece pop off the page as well as adding some subtle texture to this beautiful piece. Signed by the artist. Pencil, ink, and watercolor on art board. 8 1/4" x 11 3/4". |
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Doctor Doom Pinup by Pedro 'Saga' Perez 2013 Signed by the artist. Pencil, ink, and alcohol marker on comic art board (reverse). 11" x 17". |
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Doiby Dickles #137 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Doiby Dickles House Ad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Donald Duck Portrait by Dick Ruhl 1976 A sharp, striking portrait of Donald in a World War 2 military uniform from the legendary Ruhl who was one of the original Disney motion picture cartoonists and became known as "Duck Man" for his talent animating the furious fowl. Signed by the artist (personalized). Affixed to the reverse with tape is a copy of a short biography of the artist. Pencil, ink, and paint. Painting has been permanently matted to a sheet of cardboard. Full piece measures 14 3/4" x 17 1/2" with an image area of 8 3/4" x 11 1/2". |
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Dracula Sketch by Jamie Cosley 2023 Heavy, clean lines and bold coloring make this playful sketch pop! Signed by the artist. Pencil, ink, and alcohol marker on paper. 8 1/2" x 11". |
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Elektra Sketch by Michael Lynch 2021 Signed by the artist. Pencil, ink, and colored pencil on art stock. 7" x 9 1/2". |
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Elf Warrior Pinup by MYKE (Mike Rechlin) 1995 A fantastic fantasy scene rendered in beautiful detail as an elf warrior sits perched atop her felled foe! Signed by the artist. Pencil and ink on art board. 11" x 14". |
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Emma Frost Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Empowered Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Empowered Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Enchantress Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Falcon Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Fantastic Four Commission by John Byrne In auction ending October 14 1985 Acclaimed by many as the all time best, John Byrne's landmark run on Fantastic Four breathed new life into the series, perfectly capturing what Stan and Jack had created while pushing the book into the present with bigger concepts, better characterization (particularly for Sue), and some of the best art one could ask for. This beautiful, cover-worthy piece is a Fantastic representation of the team in all their glory with Bryne firing on all cylinders, stretching his talents to limit with detail work that's almost invisible until you get up close- all in all, it rocks. Signed and dated by the artist. Pencil and ink on art board. Art area measures 12" x 18", full page measures 14 1/2" x 23" NOTE: Piece displays some browning/oxidation, most noticeably where it was once framed, but no brittleness. |
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Fantom (Coven) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Fathom Beauty Surfaces Pinup by Chester Huang 2003 Huang does an incredible job with Michael Turner's creation here, capturing the character's iconic look without aping Turner's style. Signed by the artist. Pencil on heavy paper stock. 9" x 11 1/4". |
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Female Character Sketch by Adam Hughes 1992 One of the great artists of the modern era, Hughes' trademark style is on full display in this piece created five years into his career- bold, clean-lined figurework, lively eyes, and rich shading make this figure pop off the page. Signed by the artist. Pencil on art board. 11" x 14". |
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Ghost Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Giselle (Mystic) Pinup by Aaron Lopresti 2003 A stunning, rich pencil sketch of Crossgen's mistress of magic from one of comics' most talented artists! Pencil on Crossgen comic art board. 11" x 17". |
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Golden Age Sandman & Dr. Mid-Nite Cover from The Secret History of All-American Comics by Larry Guidry (Unused) 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Goth Girl Pinup by Deacon Black 2000s An outstanding pinup from an artist known for great pinups! Black's bold lines and gorgeous rendering (all in pencil, no less!) make this piece an absolute stunner. Signed by the artist. Pencil on art board. 9" x 16". |
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Green Arrow Sketch by Russ Braun In auction ending November 13 2020s Ollie looks great here with nice details on his iconic goatee and long, fast brushstrokes on his cowl that add a nice texture to the material. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Green Arrow Sketch by Sal Amendola 1980s A great sketch that captures the Emerald Archer perfectly! Signed by the artist. Ink on sketchbook paper. 9" x 12". |
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Green Lantern (Genderbent) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Green Lantern Family #164 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with spot inks on art board. 11" x 17". |
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Green Lantern, Green Arrow, and Black Canary Commission by Mike Grell 2000s A magnificent piece from Grell who redefined Green Arrow for a new age in his landmark run. Here he frames the Emerald Archer (who's of course got a boxing glove arrow knocked!) with Hal and Dinah for a charming group shot. Grell's choice to forgo inks gives the piece a warm, tactile aesthetic that captures the three heroes and their friendship perfectly. Signed by the artist. Pencil and watercolor on art board. 17" x 11". |
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Hawk and Dove Sketch by Brendon and Brian Fraim In auction ending September 25 2023 Two brothers for two brothers! Clean, iconic images of the squabbling Silver Age duo from the brothers Fraim. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Hellboy Sketch by Michael Lynch 2020 Signed by the artist. Pencil and ink on art stock. 5 1/2" x 8". |
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Hellgirl Christmas Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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High Evolutionary Sketch by Michael Lynch 2023 Signed by the artist. Pencil and ink on art stock. 6 1/4" x 8 1/2". |
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Hogun the Grim (Warriors Three) Painting by Michael Lynch 2024 Signed by the artist. Mixed media on art stock. 6 1/4" x 8 1/2" |
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Human Torch Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Huntress Sketch by Dan Parent In auction ending August 31 2020s The Archie legend delivers a lovely headshot of the Gotham vigilante with colors that pop! Signed by the artist. Pencil and ink with alcohol marker on art board. 8 1/4" x 11 3/4". |
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Iron Man Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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James Bond (Sean Connery) Sketch by Craig Cermak 2012 Signed by the artist. Graphite on paper. 3 1/2" x 9". |
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Jungle Girl Painting by Tom Grindberg 2010s A lush, beautifully colored piece from Grindberg that naturally calls to mind Frazetta with a healthy looking woman facing off with a jungle beast. Signed by the artist in lower right corner. Mixed media on heavy board. 14 1/2" x 15". |
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Justice League of America #10 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kang the Conqueror Painting by Michael Lynch 2023 Signed by the artist. Mixed media on art stock. 5 1/2" x 8 1/4". |
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Kid Flash/Electron/Hawklad from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Kitty Pryde and Lockheed Painting by Flaviano Armentaro 2010s Striking in several ways, this eye-catching piece is full of beautiful touches like the burshwork and color choice of the Japanese architecture that the pair is falling toward, the rich look of Lockheed's blast and the pink outline around Kitty's figure. Signed by the artist (near Kitty's boot). Ink, gouache, and watercolor on art board. 11 1/4" x 16 1/2". |
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Kitty Pryde Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Lady Deathstrike Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Lantern Legion #240 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lantern Legion #263 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil with on art board. 11" x 17". |
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Lantern Legion #304 Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Lara Croft Pinup by Tempus (Jeff Whiting) 2000 Whiting's heavy, clean lines contrast wonderfully with the stippling creating a nice texture on this cheeky pinup. Signed by the artist. Pencil and ink on art board. 11" x 17". |
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Light at Last Original Illustration by Jim R. Odbert (Nybor) 1988 A bold piece from the prolific sci-fi and fantasy artist that makes great use of negative space in this image of a falconer and his partner lit from behind. Mixed media on heavy board which has been double matted. Full piece measures 17" x 22". |
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Lilith (Borderlands) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Loki Painting by Michael Lynch 2024 Signed by the artist. Mixed media on art stock. 6 3/4" x 8 1/2" |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magik Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Magneto (Genderbent) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mangog Commission by Greg Murray 2020s Signed by the artist on the reverse. Pencil, ink, and watercolor on art board. 9" x 12" |
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Mantis Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mantra Commission by George Perez 1990s A beautiful piece from one of comics' modern masters, Perez depicts the character and a classic pinup pose- a nice nod to Mantra's existence as a male soul living in a female body who has to learn to adjust to his new reality. Signed by the artist. Pencil and ink on CrossGen comic art board. 11" x 17". |
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Martian Manhunter Sketch by Bob Petrecca In auction ending November 6 2020s Beautifully rendered in the DCAU style, Petrecca perfectly captures the gravitas inherent to the character here. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Mary Jane Watson Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mary Marvel Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Metron Sketch by Michael Lynch 2021 Signed by the artist. Pencil and ink on art stock. 5 1/2" x 8 1/2" |
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Mister Miracle Sketch by Ron Randall In auction ending October 2 2020s Great inks on this bold headshot of the Fourth World escape artist! Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Mongol Tyrant Painting by F. Newton Burcham 2000s A properly moody and evocative rendition of Frazetta's classic piece from prolific fantasy and sci-fi artist F. Newton Burcham. Acrylic on art board. 11" x 14". |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Morrigan (Darkstalkers) Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Mystique Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Night Girl Sketch by Chris Williams 2019 Heavy, rough pencil work from Williams makes for a great rendition of the nocturnally-powered Legionnaire. Signed by the artist. Pencil on comic art board. 11" x 17" |
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Optimus Prime Painting by Brian Shearer 2022 An eye-catching bust shot of the iconic Transformer with Shearer's solid linework making a great foundation for the beautifully painted colors. Signed by the artist. Pencil, ink, and watercolor on heavy stock. 9" x 12". |
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Original Art from Marvel Super Heroes Magazine Iceman Illustration by Scott Koblish 2010s Marvel Bobby Drake looks...well, cool in his classic 'snowman' form in this great piece from Scott Koblish for Marvel's kid-focused magazine that featured comics alongside puzzles and games. Pencil and ink on art board. 10 1/4" x 14 7/8". |
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Original Concept Art for The Beyonder (Secret Wars) by Larry Hama In auction ending October 14 1984 Marvel A perfect confluence of corporate synergy and creativity, Marvel Super Heroes Secret Wars was initially proposed to the publisher by Mattel who were interested in a line of Marvel action figures, but also wanted a comic book that directly related to the toy line. Dubbed Secret Wars by Mattel, Marvel was given almost total leeway for the story with the caveats that there must be a base for the heroes and vehicles for characters to pilot. Though it sounds surprising in hindsight, Marvel had trouble finding a writer who wanted to write "the toy book" and eventually the role was filled by legendary Editor in Chief Jim Shooter who immediately began crafting the massive story. The comic was drawn by Mike Zeck and John Beatty with Bob Layton penciling a few issues, but it was an all hands on deck affair for Marvel in creating the concepts and aesthetics for the series. Zeck and Layton alongside John Byrne, John Romita Jr., and Hama all contributed designs for the series. The Beyonder, the cosmic entity responsible for stranding Marvel's heroes and villains on Battleworld, did not actually appear in physical form in the original 12-issue series. It wasn't until Secret Wars II #3 in mid-1985 that The Beyonder got corporeal for a bit and assumed his 'classic' look and he didn't don his battle armor until Avengers #260 in October of 1985 which makes it even more interesting that these pieces are dated and copyrighted 1984 showing that Shooter and Marvel were all in on the concept. Hama's designs for the character in his two main forms are absolutely fantastic. In his "civvie outfit", which closely resembles how the character would eventually appear in publication, Hama perfectly captures the idea of an infinitely powerful being beyond human comprehension taking the form of man. There's an undeniably ethereal quality to the figure, long and lean with Hama's loose but intentional pencil work providing a sense of constant motion and barely contained energy to the draping of his outfit that rivals the literal energy in the palm of his hand. The battle armor that The Beyonder would don in the comics bears little resemblance to Hama's design here, but with all due respect to final design (and with the understanding that artists would potentially have to be drawing it on a monthly basis in many cases) Hama's is waaaaay cooler. Already accustomed to the intersection of comics and toys with his landmark work on GI Joe: A Real American Hero, Hama goes all out for the Beyonder's battle armor in a design that absolutely looks like something you'd want to rip out of a blister pack and play with. The large, shoulder-mounted turbines and futuristic stalk-like rocket boosters are an undeniably eye-catching element, drawing the eyes inward to the complex, greeble-covered suit which must be housing some incredible and inconceivable technology. Along with a letter of provenance from Hama written on Marvel stationary featuring the iconic web-slinging menace Spider-Man, these pieces are an astounding window into the process of creating comic book history. Design sheets are in pencil on comic art board with Marvel copyright stats affixed with tape, are signed by Hama, and measure 11" x 17". Letter of provenance from Hama is on Marvel Comics stationary and measures 8 1/2" x 11". Also included are copies of Secret Wars II #3 and Avengers #260. |
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Pantha Painting by Gene Gonzales 2000 Is she a shapeshifter from Drakulon or an Egyptian Pharaoh cursed with immortality and intermittent amnesia by the gods for her murderous rampage? Either way, she looks great in a classic pinup pose on this beautiful piece. Signed by the artist. Pencil, ink, and watercolor on heavy board. 11" x 17". |
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Phantom Lady Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Phantom Lady Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Phantom Sketch by Michael Lynch 2021 Signed by the artist. Pencil, ink, and colored pencil on art board. 6" x 9". |
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Poison Ivy Commission by Edson Eike 2024 Signed by the artist with The Lab Comics certificate of authenticity. Pencil, ink, and alcohol marker on art stock. 8 1/4" x 11 3/4". |
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Poison Ivy Sketch by Brian Shearer 2025 Signed by the artist. Pencil and ink on art board. 9" x 12". |
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Psylocke Sketch Card by Brian Shearer 2020s Signed by the artist. Pencil, ink, and watercolor on sketch card. 2 1/2" x 3 1/2" |
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Question Sketch by Fernando Ruiz In auction ending August 31 2020s An evocative background frames this bold bust shot of the vigilante/conspiracy theorist. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Raven Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Red Sonja Cover-Style Illustration by Robert E. Brown (REB) 2001 Styled after Barry Windsor-Smith's cover to Conan the Barbarian #21, this intricately inked and beautifully colored piece is a true showstopper! From the beautifully designed border and hand-drawn title logo to the powerful figurework and detailed costume design, this piece impresses on every level Pencil, ink, and watercolor on art board. 11" x 17". |
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Red Tornado Sketch by Keith Champagne In auction ending September 18 2020s The Justice League's resident robot looks phenomenal here as Champagne perfectly captures the 'uncanny valley' of emotion in his unchanging face. Signed by the artist. Pencil and ink on art board. 8 1/4" x 11 3/4". |
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Rogue Sketch by Jim Lee on X-Men #1 Facsimile Edition In auction ending October 14 2020s Lee gives Rogue a sly expression in this solid headsketch that also puts Anna Marie in her iconic Savage Land outfit. Signed by the artist with certificate of authenticity from Clan McDonald Comics. Pencil and ink on sketch cover. |
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Rogue Sketch by Mark Beachum 2019 Energetic lines and beautiful brushwork make this headsketch of the X-Men's resident southern belle pop! Signed by the artist. Ink on backing board. 6 1/2" x 10 1/2". |
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Rogue Sketch on All New X-Men #22.NOW by Randy Green In auction ending October 14 2010s Green turns in a wonderful sketch here with clear, clean lines and some excellent crosshatching on everyone's favorite Mutant Southern Belle! Signed by the artist. Pencil on sketch cover. |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this stunning widescreen splash-style illustration portrays a gruesome hanging! Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Ruse Movie Pitch Art Pencils by Mike Perkins, Inks by Rick Magyar 2000s CrossGen Comics Created to help pitch a proposed movie adaptation of Ruse, this cover-quality illustration of the movie's new villain Voodoo Child makes for a fantastic introduction to the character. Signed by Perkins in middle right. Pencil and ink on Crossgen comic art board. 11" x 17" |
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Sandman Lil' Endless Pinup by Jill Thompson 2000s A fantastically fun piece featuring Thompson's brilliant children's book interpretation of the iconic Endless (and lil' Daniel Hall!) with wonderful spot coloring. Ink and alcohol marker on paper affixed to matting with two pieces of tape. Signed by the artist. Piece measures 9" x 12", matting measures 16" x 13". |
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Secret Invasion #1 Impossible Man Sketch Cover by Steven Butler 2010s Is it the real Impossible Man? Is it a Skrull imposter? Does he even know the truth himself??? Signed by the artist. Pencil and ink on sketch cover. |
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Secret Invasion #1 Rawhide Kid Sketch Cover by Steven Butler 2010s Butler's Skrull-ified version of the Rawhide Kid is a lot of fun, note how his cowboy hat is altered to include holes for the long Skrull ears! Signed by the artist. pencil and ink on sketch cover. |
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Secret Invasion #1 Shanna the She-Devil Sketch Cover by Steven Butler 2010s A beautiful piece with a lot of texture and a full background! Signed by the artist. Pencil and ink on sketch cover. |
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Self Portrait by Bill Melendez 2000 A playful and self-portrait from a genuine legend of animation! Melendez's decades-spanning career is packed with classics- Pinocchio, Fantasia, Dumbo, Bambi, Looney Tunes and Merrie Melodies, and Gerald McBoing-Boing to name a few. Melendez is perhaps best known for shepherding the Peanuts to the screen, with his studio producing every single television special and direct to video film featuring Charles Schulz's creations. Signed by the artist (personalized). Ink and watercolor on art board. 9 1/2" x 12". |
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She-Hulk Commission by Brian Shearer 2026 Signed by the artist. Mixed media on paper. 5 1/2" x 8 1/2" |
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Shipwreck Sketch by Brian Shearer 2026 Signed by the artist. Pencil and ink on art board. 9" x 12" |
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Sigil Pinup by Vincenzo Cucca & Andrew Hennessey 2000s This fantastic, action-packed image that would have made for a great cover sees Sam and Roiya taking on a group of Saurians! Pencil and ink on Crossgen comic art board. 11" x 17" |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Silver Sable Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Snake Eyes Pinup Print by Nate Niles and Jarrod Alberich 2020s A striking black, white, and red piece that captures the Joe's resident ninja perfectly! Signed by the artists. High quality print on heavy matte stock. 11" x 17". |
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Snake Eyes Sketch by Brian Shearer 2026 Signed by the artist. Pencil and ink on art board. 9" x 12" |
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Space Girl Pinup by Daniel 'Raly' Rivera 2000 Rivera does some stunning rendering in colored pencil in this bold pinup. Pencil and colored pencil on art board. 11 1/4" x 15 1/4". |
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Species/Aliens Pinup by Caesar Antomattei 1998 A beautiful, moody rendering of Giger's most iconic creations- the alien form of Sil from Species holding hands with an Alien Xenomorph! Antomattei's talent with ink is more than apparent in this stunning piece. Signed by the artist. Pencil, ink, and correction fluid on DC Comics art board and covered with sealant. 11" x 17". |
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Spider-Gwen 1E (2015 1st Series) Sketch Cover by Rico Renzi In auction ending September 11 2015 Marvel A bright and bold depiction of everyone's favorite dimension hopping, drum playing, friendly neighborhood spider-Gwen! Renzi's masterful use of color combined with his signature style really makes this sketch jump off the page. Signed by the artist. Pencil and felt marker on sketch cover. |
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Spider-Man Commission by Mark Bagley 2010s One of the defining Spidey artists in the modern era, Bagley's style shifts a bit in this piece. While the figure is unmistakably Mark Bagley's Spider-Man, the blocky shading calls to mind Erik Larsen, making for an exciting spin on the wallcrawler. Pencil and ink on comic art board. 11" x 17". |
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Spider-Man Sketch Card by Greg Murray 2020s Signed by the artist on the reverse. Pencil and ink on sketch card. 2 1/2" x 3 1/2" |
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Starfire Pinup by Jeffery Egli 2000s The Titan's resident bombshell looks as radiant as ever thanks to Egli's bright, bold airbrush work. Pencil, ink, watercolor, and airbrush on art board. 11" x 14". |
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Steel Sketch by Prentis Rollins In auction ending August 17 2020s Fantastic pencil work from Rollins here giving Steel an almost organic look. Signed by the artist. Pencil on art board. 8 1/4" x 11 3/4". |
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Storm Shadow Sketch by Brian Shearer 2026 Signed by the artist. Pencil on paper. 9" x 12". |
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Super Héroes Presenta El Motorista Fantasma Vol. 2 #1 Cover Recreation by Rafael Lopez Espi 2000s Repackaging an American comic for foreign markets oft necessitated new covers that would appeal to the country's audience, a job typically reserved for artists from that country such as the immensely talented Rafael Lopez Espi. Espi's lush, fully painted covers are an absolute joy to behold, especially on this gorgeous recreation featuring that classic subject- a hero rescuing a damsel about to sacrificed by a cultist! Signed by the artist. Gouache watercolor on art board. 11 1/2" x 16 1/2". |
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Superboy #164 Cover Re-Imagining by John Watson 2010s Though Superboy did not actually face the Emerald Empress and her Eye of Ekron, this gorgeous piece is enough to make you wish he did! Watson does outstanding work here from the immaculately hand-drawn title logo and other cover accoutrements to the bold, clean figure work. Pencil and ink on art board. 11 1/4" x 16 1/2". |
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Superman #123 Homage Cover from The Secret History of All-American Comics by Larry Guidry 2000s Bob Rozakis' Secret History of All-American Comics, which was serialized in Back Issue and Alter Ego magazines, is a fascinating alternate history of comics that imagines a world where rather than selling to DC, Max Gaines bought the company. This concept of course necessitated art to illustrate this alternate universe where Green Lantern and The Flash were the top dogs of comicdom and Batman and Superman were the characters reimagined for the Silver Age amongst other changes. Pencil on art board. 11" x 17". |
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Superman and Silver Surfer vs. Darkseid and Thanos Watercolor Commission by Geof Isherwood 2004 An appropriately epic piece for a showdown of these proportions from the legendary Isherwood! The focus is on the villains here as the cosmic titans stand back to back, with their beautifully textured figures front and center as the prepare to fend off an assault from the flying heroes making for a truly epic scene. Pencil and watercolor on heavy watercolor paper. 19 1/4" x 13". |
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Superman Commission by Dick Ayers 1994 A powerful, poised image of the Big Blue Boy Scout that practically jumps off the page thanks to Ayers' intricately drawn background design! Signed by the artist (personalized). Pencil and ink on paper. 9" x 12". |
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Superwoman Commission by Michael Wilson 2017 Pencil and ink on paper. 11" x 17". |
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Ted Trogdon Letter and Signed File Page In auction ending September 11 1970s A staple of Charlton's racy cartoon publications, this letter written to a an aspiring cartoonist features a cute little "how-to" sketch of a sexy secretary alongside a bio page that appeared in one of the various publications he contributed to. Letter is in pen on paper and measures 8 1/2" x 11", file page measures 8 x 10 3/4". |
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Tigra Character Designs by Jack Kirby 1980s Though this design did not appear in the finished issue, this piece was likely drawn for Kirby's 1985 New Gods opus The Hunger Dogs, which saw Orion rescuing Tigra from Apokalips as Darkseid's empire crumbled around him. In the story Apokalips experiences a citizen's revolt with Darkseid makes a desperate run to find and kill Himon, the inventor of the Mother Box. When he makes it through the chaos and finds Himon, he is helping Orion load an injured Tigra into their getaway ship. Signed and dated '83 in the lower left of the piece. Pencil on DC Comics art board. 11 1/2" x 17". |
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Ultra Boy Sketch by Andy Lanning 2010s Ultra Boy sketch by Andy Lanning. Signed by the artist. Pencil on paper. 5" x 8", B&W. |
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Ultron Sketch by Michael Lynch 2021 Signed by the artist. Pencil and ink on art board. 6" x 9". |
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Unidentified Painted Art by Paul Harmon 2000s Indie comics luminary Paul Harmon delivers a cover-worthy piece on this beautiful, horror-tinged page. Signed by the artist. Paint on art board. 10 1/2" x 16 1/4". |
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Untitled Monster Painting by Clint Langley 2010s Untitled Monster Painting by Clint Langley. Signed by the artist. Paint and ink on heavy board. 14 3/8" x 10 3/4", full color |
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Untitled Painting by Clint Langley 2010s Untitled Painting by Clint Langley. Signed by the artist. Airbrush, watercolor, and ink on heavy stock. 11 3/4" x 16 1/2", B&W. |
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Valkyrie Sketch by Jeffery Egli 2000 Egli does some fantastic work with colored pencil on the skin rendering here, contrasting nicely with the watercolor used for the armor. Pencil, ink, colored pencil, and watercolor on art board. 11" x 14" |
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Vampirella Painting by Don Hillsman II 2000 A cover-worthy piece from Hillsman with great colors and a rich texture that really pops! Hillsman gives Vampi the attention she deserves with fantastic detail on her costume and boots as she kneels in a grim tableau of bones, bats, and weapons! Acrylic and airbrush on comic art board. 11" x 17". |
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Vampirella Pinup by Damaris 2000 The vampiric vixen strikes a classic pinup pose in this lovely piece. Pencil, ink, and watercolor on watercolor board. 10 1/2" x 13 1/2". |
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Vampirella Pinup by Les White 2000 Bold lines, powerful figure work, and evocative shading from White in this fantastic pinup! Signed by the artist. Pencil on art board. 11" x 14". |
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Vampirella Pinup by Louis Paradis 2000 Paradis' mastery of figure and technique come together beautifully in this piece, which sees the vampiric vixen leaping through the air before a full moon. Pencil on art board. 8 1/2" x 11 3/4". |
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Vampirella Pinup by Mark Yanko 2000s A bright, beautiful rendition of comics' favorite bad girl! Yanko's subtle red light glare on Vampi does a wonderful job of reminding lascivious eyes that she's only got one thing on her mind- blood! Signed by the artist. Also included is a print of the piece. Pencil, ink, and watercolor on art board. 11" x 14". |
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Vampirella Pinup by Thomas Fleming 1999 Fleming makes fantastic use of the large page here with this alluring and beautifully textured piece. Pencil on art board. 14" x 17". |
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Vampirella Pinup Prelim by Jamie Tyndall In auction ending September 11 2020s The voluptuous vampire vixen is ready for some summer lovin' in this playful piece from Tyndall. Signed by the artist with metal certificate of authenticity. |
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Vampirella Sketch by Billy Tucci In auction ending August 17 2000s Signed by the artist. Ink on backing board. 6 3/4" x 10 1/2" |
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Vampress Luxura Painting 1996 While the artist and use of this massive, eyecatching painting aren't known, it's a wonderful example of the danger and eroticism of the 90's bad girl movement that Kirk Lindo's Vamperotica universe exemplified. The technique on this piece is outstanding with brushwork and airbrush combining to give the piece a rich sense of texture. Pencil, ink, acrylic, and airbrush on heavy art board with protective overlay attached with tape on the reverse. 18" x 24". NOTE: Though we weren't able to identify the artist for this piece, it was originally sold through Kirk Lindo's official Vamperotica eBay store. Included with the piece is a printout of the original sale from 2001 through eBay as provenance. |
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Wasp Sketch Card by Chris McJunkin 2010s Signed by the artist. Ink and watercolor on sketch card. 2 1/2" x 3 1/2", full color |
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Weapon X Cover Style Commission by Eder Messias 2010s Pencil, ink, and alcohol marker on Marvel Comics art board. Also included is Messias' full sized pencil prelim. Both measure 11" x 17". |
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Witchblade Sketch by Marc Silvestri on Art of the Witchblade #1 In auction ending September 11 2006 Loose and simple but instantly recognizable, Silvestri gets a lot of mileage out of the expression in Sarah's single visible eye in this alluring sketch. Signed by the artist. Pencil and ink on sketch cover. |
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Wolverine 'Wolferyn' Commission by Michael Wilson 2025 Pencil and ink on art board. 8 1/2" x 11". |
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Wonder Woman Commission by GW Fisher 2007 A beautiful piece from fisher with a casual litheness to the figure enhanced by the simple but playful depiction of Diana's lasso swirling around. Signed by the artist. Pencil and ink on art board. 11" x 14". |
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Xenomorph Painting by K. Cross 1992 An absolute beauty of a piece, packed with gruesome detail! Leaning into the insectoid nature of the Xenomorph, Cross crafts a gruesome scene with the creature emerging from a pool of lovingly rendered gore. Ink, watercolor, and gouache on heavy art stock. 10" x 14". |
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Zartan Sketch by Brian Shearer 2026 Signed by the artist. Pencil and ink on art board. 9" x 12" |
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Zatanna Sketch by Michelle Delecki In auction ending October 30 2020s The current Prime Magus of the DC Universe shines in this great piece that pops off the page thanks to Delecki's smart use of her brush and subtle color placement. Signed by the artist. Pencil, ink, and watercolor on art board. 8 1/4" x 11 3/4". |
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Avengers Invaders #1 (2008) Sketch Cover by Joe Rubinstein from Avengers Invaders (2008 Marvel Dynamite) 1A 2009 Comics legend Joe Rubinstein delivers a pitch perfect Wolverine sporting a magnificently menacing smile! Signed by the artist. Pencil and ink on sketch cover. |
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Avengers Invaders #1 (2008) Sketch Cover by Joe Rubinstein from Avengers Invaders (2008 Marvel Dynamite) 1A 2009 An iconic image of Charles Xavier, deep in contemplation from veteran Joe Rubinstein. Signed by the artist. Pencil and ink on sketch cover. |
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King Spawn #50 1:1000 Incentive Sketch by Todd McFarlane from King Spawn (2021 Image) 50A 2025 Part of the 1 for 1,000 retailer incentive for King Spawn #50, McFarlane celebrated the milestone issue by offering the rare chance at receiving one of his sketches to retailers able to hit the order goal. So many jumped at the chance that the incentive had to be opened up to other artists, making the McFarlane sketches even more rare than before. Even within the McFarlane sketches, most were head or bust shots making this piece with its 3/4 image of the undead icon bathed in shadow all the more desirable. Clearly defined in the image are the most iconic pieces of Spawn's brilliant design- his cape and the ever present chains, making this a perfect representation of McFarlane's creation. Also included is the certificate of authenticity issued alongside the sketch which would qualify it for a yellow Signature Series label from CGC if submitted by December 8th, 2025. Signed by the artist. Pencil and ink on Image/Todd McFarlane Productions art board. 6 1/4" x 9 7/8". |
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The Marvels Project #1 (2009) Sketch Cover by Mitch Gerads from Marvels Project (2009 Marvel) 1A 2010s No hook can catch the King of Atlantis! Gerads brings a wonderful sense of motion to this image of Namor (along with some aquatic acquaintances) just saying no to a fishing boat. Signed by the artist. Pencil, watercolor, and ink on sketch cover. |
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Preliminary Cover Art for Savage Hawkman #11 (2012) Pencils by Rob Liefeld In auction ending October 14 from Savage Hawkman (2011) 11 2012 DC If there's one word that can be used to describe Liefeld's art, it's power and that power is clearly evident in his fantastic pencil prelim for this cover. This issue sees the winged hero forced into gladiatorial combat and rather than taking the obvious route of showing Hawkman in the arena, he chooses a close shot emphasizing the Savage nature of the character with the added touch of his opponent's reflection in his helmet. Signed by the artist. Pencil over printed roughs on paper. 8 1/2" x 11". |
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Preliminary Cover Art for Starship Troopers #9 (2008) by Scott James from Starship Troopers (2007 Markosia) 9 2008 Markosia Hard to believe this piece is a prelim, with a surprising amount of detail and texture in this image of a space marine ready for action! Pencil and ink on art board. 11" x 14". |
