Comic Art
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Original Comic Art
- Comic Art: Cover 20 items
- Comic Art: Splash Page 29 items
- Comic Art: Double Page Splash 7 items
- Comic Art: Interior Page 319 items
- Comic Art: Double Page Spread 9 items
- Comic Art: Complete Story 15 items
- Comic Art: Partial Story 2 items
- Comic Art: Comic Strip 45 items
- Comic Art: Unpublished Page 4 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Art from Action Comics #1069 (2024) Page 11 Inks by Danny Miki, Printed Pencils by Eddy Barrows from Action Comics (2016 3rd Series) 1069A 2024 DC "THE UNDEFEATED MASTER OF THE COMBAT FLOOR. TERROR OF A THOUSAND WORLDS. THE MERCILESS BEAST! I give you the PUNISHING, the PULVERIZING...HUX-UR, THE UNDEFEATED!" reads the introduction to this imposing figure that Superman is set to face off with in gladiatorial combat. This is an absolutely beautiful page to behold, a perfect showcase for Miki who's easily one of the best inkers working in comics today. There's so much power and energy on this page in the figure of Hux-Ur thanks to Miki's rich, textured inking. Signed by Miki in top right margin. Ink over printed pencils on custom comic art board. 11" x 17". |
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Original Art from Avengers Undercover #7 (2014) Page 20 Inks by Jason Gorder, Printed Pencils by Kev Walker from Avengers Undercover (2014) 7 2014 Marvel One of the most fun tropes in comics is a shocking last page villain reveal splash and this is a great example. Thought killed by a group of the teen heroes who survived Avengers Arena, it turns out that Arcade is still alive! After Ink over printed pencils on comic art board. 11" x 17". |
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Original Art from Batman One Bad Day: Ra's Al Ghul (2023) Page 6 Inks by Danny Miki, Printed Pencils by Ivan Reis from Batman One Bad Day Ras al Ghul (2023 DC) 1A 2023 DC "Every time I wake in a Lazarus pit, I forgot the world I'm being reborn into. Instead, I remember what was...and then comes the shock of the present" A powerful splash page from two of the best artists working in comics! A page definitely worth pouring over to appreciate the texture and detail in this scene of the Demon's Head rising once more. Reis' powerful figurework is given an incredible depth by Miki's inks with Al Ghul a striking and imposing presence amongst the wonderfully frenetic and detailed scenery! Signed by Miki in top right. Ink over printed pencils on branded comic art board (printed on the reverse of DC board). 11" x 17". |
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Original Art from Batman Streets of Gotham #1 (2009) Story Page 1 Pencils by Georges Jeanty, Inks by Karl Story from Batman Streets of Gotham (2009) 1A 2009 DC When you're in Gotham City, be sure to visit their famous gargoyles and brood in the rain a bit- it's the citywide pastime! Kate Spencer, the most recent character to bear the title of Manhunter, gets into the noir spirit of her new home city in this bold first page splash. Signed by Jeanty in lower margin. Blue-line pencil and ink on DC comics art board. 11" x 17". |
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Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
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Original Art from Codename Knockout #11 (2002) Page 21 Pencils by Yanick Paquette, Inks by Mark Lipka from Codename Knockout (2001) 11 2002 After finding herself in a prison camp holding victims of sex trafficking, Angela moves to liberate it and on this magnificent splash page we see the action begin as Francoise takes an opportunity to show off her skills with a rifle. It's wonderfully laid out with Francoise's lithe figure contrasting perfectly with the silhouetted mayhem of her shots hitting their mark in the background. Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17". |
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Original Art from Fantastic Four #405 (1995) Page 1 Pencils by Paul Ryan, Inks by Dan Bulanadi from Fantastic Four (1961 1st Series) 405A 1995 Marvel What a title page! An ancient temple in Brazil is found to hold a device which can turn people into Things and after defeating a group of mercenaries looking to use it for their own ends, team Fantastic decide to use it on the injured Ben who fought off a group Thing-ified mercs on his own. Will the machine heal Ben? Could it even restore him to his human form? Find out after a page turn, True Believer! Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: One caption box ("Revealed At Last" The Sinister Secret of Boris!") is missing from the page. |
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Original Art from JLA #17 (1998) Page 22 Pencils by Arnie Jorgenson, Inks by Mark Pennington from JLA (1997) 17 1998 DC A splash so great, it needs a role call- we've got Electric Blue Superman, Wonder Woman, Aquaman (spear hand era), Flash (Wally), Green Lantern (Kyle), Batman, Martian Manhunter, Catwoman, Plastic Man, Orion, Big Barda, Oracle, Steel, Huntress, and of course- Zauriel! This fantastic full team splash is a pleasant bit of hopefulness after the team just barely fended off an attack from the mysterious Prometheus. Signed by Pennington in lower left (personalized). Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Justice League #9 (1987) Page 1 Pencils by Kevin Maguire, Inks by Al Gordon from Justice League America (1987) 9 1987 DC A fantastic title splash page from this landmark iteration of the Justice League that saw the team get a surprising new lineup and expand their operations to a truly global scale! In the wake of the revelations from the Guardians that Manhunters have been infiltrating earth disguised as humans, the team mulls over next steps as they head into Bialya. Signed by Maguire in lower margin. Pencil and ink on DC Comics art board. 11" x 16 1/4". |
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Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
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Original Art from Red Goblin #9 (2023) Page 3 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 9 2023 Marvel While there are certainly some downsides to having a symbiote attached to you as a child, there is the fact that you could show up to your bully's house in the middle of the night and scare the bejeezus him as Normie Osborn does here! A fantastic splash here with the Red Goblin in all of his horrifying glory. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Red Goblin #10 (2024) Page 12 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 10 2024 Marvel A fantastic splash that gives the Red Goblin the hero spotlight he's finally earned! After bonding with the symbiote named Rascal, Normie Osborn has been having trouble controlling the symbiote's base urge to, ya know, eat people. In this final issue, the collateral damage during a fight with his friend Venom (Dylan Brock) convinces the child and the symbiote to join the side of angels as he leaps into action to save some civilians. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Sandman Universe Nightmare Country #5 (2022) Page 7 by Aaron Campbell from Sandman Universe Nightmare Country (2022 DC) 5A 2022 DC An absolutely incredible splash page that revisits one of the most iconic (and creepy) moments from the Doll's House arc of the original Sandman series! Reborn in this new series, The Corinthian recalls his last moments before being unmade at the Cereal Convention, which was in actuality a convention for serial killers. Campbell's technique is just astounding here from the smudging used to give Morpheus a glow to the beautiful linework that plays wonderfully with the painted background. Signed by the artist in lower margin. Mixed media on heavy art stock. 11" x 17". |
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Original Art from She-Hulk #19 (2007) Page 4 Pencils by Rick Burchett, Inks by Cliff Rathburn from She-Hulk (2005 2nd Series) 19 2007 Marvel Goodman, Lieber, Kurtzberg & Holliway have a new client- and Jennifer Walters isn't going to like it! A great title page splash reveal to open this issue as Jen's coworker and rival Mallory Book is introduced to her new client- The Leader! Signed by Burchett in lower left. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Silver Surfer #123 (1996) Page 22 Pencils by Ron Garney, Inks by Bob Wiacek from Silver Surfer (1987 2nd Series) 123 1996 A tremendous villain-introducing last page splash caps off this otherwise quiet and somewhat maudlin issue that sees the Surfer returning to earth in the wake of the Onslaught saga to find the Fantastic Four missing. It looks like Norrin won't have much time to continue pondering the nature of existence as he'll have to tangle with Bounty! Fantastic design by Garney here, wonderfully embellished with harsh, moody lighting from Wiacek's inks! Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4". |
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Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
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Original Art from Teen Titans #11 (2012) Page 1 Pencils by Brett Boothe, Inks by Norm Rapmund In auction ending October 14 from Teen Titans (2011 4th Series) 11A 2012 DC A powerful opening page for this issue finds Wonder Girl (Cassie Sandsmark) beginning to succumb to the power of her Silent Armor, an alien suit that requires an immense amount of willpower to keep it from consuming its wearer. Booth's posing on Cassie here evokes the classic Wonder Woman bondage trope, but the gruesome twist that the bonds are coming from within her body adds a whole new dimension to to harrowing scene. Pencil and ink on comic art board. 11" x 17". |
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Original Art from Thunderbolts #35 (2000) Page 1 Pencils by Mark Bagley, Inks by Greg Adams from Thunderbolts (1997 Marvel) 35 2000 Marvel A striking page opens this tragic issue as the Thunderbolts mourn the death of one of their own- Hallie Takahama also known as Jolt. At her funeral, her teammates blend in with the crowd of civilians as we see an injured Hawkeye on the left with Moonstone and Atlas and Songbird to the right. Signed by Bagley and writer Fabian Nicieza in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17". |
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Original Art from Batman Gotham Knights #30 (2002) Page 1 Pencils by Roger Robinson, Inks by John Floyd 2002 DC Fresh off their shift ad BHPD, Dick Grayson and his partner discuss Dick's appearance before hearing a call for backup over the police scanner. Dick rushes off after hearing that the suspect is currently getting the living stuffing kicked out of them by a guy in a costume and mask. Pencil, ink, and screentone on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #42 (2003) Page 1 Pencils by David Ross, Inks by John Floyd 2003 DC As the Bat-Family struggles with Alfred's worsening condition, questions arise as to the cause of the illness and how to prevent a mass pandemic. A great title page that contrasts Leslie Thompkins and Bruce wonderfully. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #46 (2003) Page 2 Pencils by Roger Robinson, Inks by John Floyd 2003 In this striking before-and-after shot that also serves as the title splash for this issue, we see how effective the Gotham City correctional system can be by turning the raving madman The Spook into a model citizen eager to reacclimate to society! Surely that's the way this story goes, right? Pencil and ink on DC Comics art board. 11 1/2" X 17". |
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Original Art from Batman Gotham Knights #46 (2003) Page 7 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A stunning flashback splash page! While in the present The Spook is seemingly reformed and on his way to freedom, here we see him in his prime with Batman bound before him and crackling power in his hands! Pencil and ink on DC Comics art board. 11 1/2" X 17". |
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Original Art from Icon vs. Hardware #3 (2023) Page 17 Inks by John Floyd, Printed Pencils by Denys Cowan 2023 DC An amazing splash page showing that even with Curtis Metcalf (Hardware) manipulating the time stream, wars and revolutions still occur- and are in some cases worse than the events they replace. ink over printed pencils on DC Comics art board. 11" X 17". |
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Original Art from Icon vs. Hardware #3 (2023) Page 28 Inks by John Floyd, Printed Pencils by Denys Cowan 2023 DC The last page villain reveal is a staple of superhero comics, and you'd be hard pressed to ask for a better one than this! Kirby-inspired, but with Cowan's energy and Floyd's skilled inks also readily apparent, this is a phenomenal take on one of DC's most recognizable villains. Ink over printed pencils on DC Comics Art board. 11" X 17". |
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Original Art from Icon vs. Hardware #3 (2023) Page 3 Inks by John Floyd, Printed Pencils by Denys Cowan 2023 DC A striking splash page that shows how deadly and efficient Hardware's weapons systems are. Any normal person would surely be dead, but Vandal Savage is no normal person. Beautiful crosshatching from Floyd here. Ink over printed pencils on DC Comics art board. 11" X 17". |
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Original Art from First Guard #2 (2026 G-Man Comics) Page 3 Pencils and Inks by Ron Williams In auction ending October 14 2026 Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17". |
