Comic Art
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Original Comic Art
- Comic Art: Cover 16 items
- Comic Art: Splash Page 31 items
- Comic Art: Double Page Splash 5 items
- Comic Art: Interior Page 270 items
- Comic Art: Double Page Spread 7 items
- Comic Art: Complete Story 10 items
- Comic Art: Comic Strip 78 items
- Comic Art: Unpublished Page 6 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Art from Aquaman #5 (1989) Page 14 Layouts by Keith Giffen, Pencils by Curt Swan, Inks by Al Vey from Aquaman (1989 2nd Limited Series) 5 1992 DC A powerful splash page from the climactic issue of this miniseries which saw Aquaman leading a resistance against an invasion of Atlantis perpetrated by giant, genocidal jellyfish! As the Atlantean forces make a last ditch charge to break the siege on Poseidonis, they find themselves aided by a massive army of sea life which is revealed here to be commanded by Aquaman. Swan and Vey do a tremendous job depicting the vast effort expended by the King of Atlantis here, perched atop one of the city's tallest buildings! Pencil and ink on DC Comics art board. 16 3/4" x 11 1/4". |
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Original Art from Avengers Academy #11 (2011) Page 3 Pencils by Tom Raney, Inks by Scott Hanna from Avengers Academy (2010) 11 2011 Marvel A magnificent splash that also serves as the title page for this issue showcasing the return of one of the Avengers' most dangerous foes- Korvac! In an attempt to bring Janet Van Dyne back to life, Avengers Academy student Veil has instead revived Carina Tivan, Michael Korvac's wife (and daughter of The Collector!), which has of course attracted Korvac's attention. Raney and Hanna inject a ton of power into this page with Korvac's form dissipating into massive clouds of energy- dotted with some Kirby Krackle! Signed by Raney in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Avengers Undercover #7 (2014) Page 20 Inks by Jason Gorder, Printed Pencils by Kev Walker from Avengers Undercover (2014) 7 2014 Marvel One of the most fun tropes in comics is a shocking last page villain reveal splash and this is a great example. Thought killed by a group of the teen heroes who survived Avengers Arena, it turns out that Arcade is still alive! After Ink over printed pencils on comic art board. 11" x 17". |
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Original Art from Batman One Bad Day: Ra's Al Ghul (2023) Page 6 Inks by Danny Miki, Printed Pencils by Ivan Reis from Batman One Bad Day Ras al Ghul (2023 DC) 1A 2023 DC "Every time I wake in a Lazarus pit, I forgot the world I'm being reborn into. Instead, I remember what was...and then comes the shock of the present" A powerful splash page from two of the best artists working in comics! A page definitely worth pouring over to appreciate the texture and detail in this scene of the Demon's Head rising once more. Reis' powerful figurework is given an incredible depth by Miki's inks with Al Ghul a striking and imposing presence amongst the wonderfully frenetic and detailed scenery! Signed by Miki in top right. Ink over printed pencils on branded comic art board (printed on the reverse of DC board). 11" x 17". |
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Original Art from Batman Streets of Gotham #1 (2009) Story Page 1 Pencils by Georges Jeanty, Inks by Karl Story from Batman Streets of Gotham (2009) 1A 2009 DC When you're in Gotham City, be sure to visit their famous gargoyles and brood in the rain a bit- it's the citywide pastime! Kate Spencer, the most recent character to bear the title of Manhunter, gets into the noir spirit of her new home city in this bold first page splash. Signed by Jeanty in lower margin. Blue-line pencil and ink on DC comics art board. 11" x 17". |
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Original Art from Birds of Prey #52 (2003) Page 11 Pencils and inks by Casey Jones from Birds of Prey (1999 1st Series) 52 2003 DC A downright iconic splash page for the Element Man! It also serves as a shocking reveal- in the middle of battle with a merged entity made up of Simon Stagg, Sapphire Stagg, and little Joey it's revealed that Black Canary has not been fighting alongside Java, but Metamorpho himself! Jones' trademark bold, ultra-clean linework shines here, giving an energetic pop-art vibe to the story. Signed by the artist in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 17". |
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Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
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Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17". |
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Original Art from Doom Patrol #20 (2011) Page 2 Pencils by Ron Randall, Inks by Art Thibert from Doom Patrol (2009 5th Series) 20 2011 DC A great shot of Robotman, Mister Negative, and Elasti-Woman looking heroic as ever...even though they've just been deported! Having failed in their job as protectors of Oolong Island, the team arrives in Plinkett, Nevada looking for a fresh start- and a place to crash. Signed by Thibert in lower right. Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from JLA #17 (1998) Page 22 Pencils by Arnie Jorgenson, Inks by Mark Pennington from JLA (1997) 17 1998 DC A splash so great, it needs a role call- we've got Electric Blue Superman, Wonder Woman, Aquaman (spear hand era), Flash (Wally), Green Lantern (Kyle), Batman, Martian Manhunter, Catwoman, Plastic Man, Orion, Big Barda, Oracle, Steel, Huntress, and of course- Zauriel! This fantastic full team splash is a pleasant bit of hopefulness after the team just barely fended off an attack from the mysterious Prometheus. Signed by Pennington in lower left (personalized). Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Justice League #9 (1987) Page 1 Pencils by Kevin Maguire, Inks by Al Gordon from Justice League America (1987) 9 1987 DC A fantastic title splash page from this landmark iteration of the Justice League that saw the team get a surprising new lineup and expand their operations to a truly global scale! In the wake of the revelations from the Guardians that Manhunters have been infiltrating earth disguised as humans, the team mulls over next steps as they head into Bialya. Signed by Maguire in lower margin. Pencil and ink on DC Comics art board. 11" x 16 1/4". |
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Original Art from Justice League Task Force #9 (1994) Page 5 Pencils by Greg Larocque, Inks by Kevin Conrad from Justice League Task Force (1994) 9 1994 DC A delightful title page splash that promises a bit of irony coming J'onn's way as the Martian Manhunter prepares for a cozy night in! Though Justice League comics were beginning to leave the Bwa-Ha-Ha era behind, its influence is still felt here! Signed by Conrad on the reverse. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/4". NOTE: The credits box appears to be a recreation and affixed to a plastic flap which taped to the reverse with masking tape. Also affixed to the reverse is what may be the original credits box which is glued to the board. |
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Original Art from Millie the Model #123 (1964) Page 14 Pencils and Inks by Stan Goldberg from Millie the Model (1945 Marvel) 123 1964 Marvel A beautiful fashion page featuring Millie's supporting (and in Chili's case, unsupportive) cast! Pencil and ink on art board. 13 3/4" x 21 3/4". |
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Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
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Original Art from New Avengers #47 (2009) Page 23 Pencils by Billy Tan, Inks by Matt Banning from New Avengers (2005 1st Series) 47 2009 Marvel Much of Brian Michael Bendis' revolutionary run on Avengers centered around Luke Cage, an 'everyman' type of hero in comparison to many of the other heroes who quickly became the heart of the team and the fan favorite. Here, Tan and Banning perfectly capture the shock and heightened emotion that readers would feel along with Luke when learning that his newborn daughter had been kidnapped by Skrull posing as Jarvis during Secret Invasion. It's framed wonderfully with massive devastation visible in the background that still doesn't seem to compare to the pain on Luke's face, powerfully depicted through Banning's heavy inks. Pencil and ink on Marvel Comics art board. 11" x 17 1/2". |
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Original Art from Peter Parker Spider-Man #44 (2002) Page 3 Pencils by Humberto Ramos, Inks by Wayne Faucher In auction ending April 15 from Peter Parker Spider-Man (1999) 44 2002 Marvel A powerful splash from this intense issue that sees the return of the Green Goblin to Pete's life! In the midst of a torrential storm, Pete is troubled by a recurring nightmare and where else does one plagued by nightmares go than to their mother (figure)! A great example of Ramos' ability to create powerful and energetic figures, even in a 'civilian' scene! Signed by the artists in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: Title logo, credits, and indicia stats are reproductions. |
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Original Art from Red Goblin #9 (2023) Page 3 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 9 2023 Marvel While there are certainly some downsides to having a symbiote attached to you as a child, there is the fact that you could show up to your bully's house in the middle of the night and scare the bejeezus him as Normie Osborn does here! A fantastic splash here with the Red Goblin in all of his horrifying glory. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Red Goblin #10 (2024) Page 12 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 10 2024 Marvel A fantastic splash that gives the Red Goblin the hero spotlight he's finally earned! After bonding with the symbiote named Rascal, Normie Osborn has been having trouble controlling the symbiote's base urge to, ya know, eat people. In this final issue, the collateral damage during a fight with his friend Venom (Dylan Brock) convinces the child and the symbiote to join the side of angels as he leaps into action to save some civilians. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Sandman Universe Nightmare Country #5 (2022) Page 7 by Aaron Campbell from Sandman Universe Nightmare Country (2022 DC) 5A 2022 DC An absolutely incredible splash page that revisits one of the most iconic (and creepy) moments from the Doll's House arc of the original Sandman series! Reborn in this new series, The Corinthian recalls his last moments before being unmade at the Cereal Convention, which was in actuality a convention for serial killers. Campbell's technique is just astounding here from the smudging used to give Morpheus a glow to the beautiful linework that plays wonderfully with the painted background. Signed by the artist in lower margin. Mixed media on heavy art stock. 11" x 17". |
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Original Art from She-Hulk #19 (2007) Page 4 Pencils by Rick Burchett, Inks by Cliff Rathburn from She-Hulk (2005 2nd Series) 19 2007 Marvel Goodman, Lieber, Kurtzberg & Holliway have a new client- and Jennifer Walters isn't going to like it! A great title page splash reveal to open this issue as Jen's coworker and rival Mallory Book is introduced to her new client- The Leader! Signed by Burchett in lower left. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Silver Surfer #123 (1996) Page 22 Pencils by Ron Garney, Inks by Bob Wiacek from Silver Surfer (1987 2nd Series) 123 1996 A tremendous villain-introducing last page splash caps off this otherwise quiet and somewhat maudlin issue that sees the Surfer returning to earth in the wake of the Onslaught saga to find the Fantastic Four missing. It looks like Norrin won't have much time to continue pondering the nature of existence as he'll have to tangle with Bounty! Fantastic design by Garney here, wonderfully embellished with harsh, moody lighting from Wiacek's inks! Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4". |
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Original Art from Spectacular Spider-Man #243 (1997) Page 17 and Color Guide Pencils by Luke Ross, Inks by John Stanisci, Colors by John Kalisz from Spectacular Spider-Man (1976 1st Series) 243 1997 Marvel A triumphant splash as Spider-Man remembers...that he's Spider-Man!Throughout the issue, we've seen Herbert Fillmore Smith, a middle-aged science fiction rider with delusions that he's Spider-Man, locked in an asylum under the care of Dr. Ashley Kafka. It's soon revealed that the doctor is actually The Chameleon in disguise and after a short struggle, Peter emerges from a cloud of drugs to regain his sanity. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". Also included is the original handpainted color guide which measures 8 1/2" x 11". |
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Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
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Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17". |
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Original Art from Batman Gotham Knights #38 (2003) Page 5 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A phenomenal title page splash of Huntress, although that appears to be Helena Wayne's Huntress costume- not Helena Bertinelli's. It's a telegraphing of the story to come that finds Helena drugged and in the custody of Checkmate who have suddenly taken an interest in Gotham's vigilantes. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #38 (2003) Page 6 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A great mirror to the title page that immediately precedes this page that saw Huntress in the exact same pose clad in the Bronze Age Huntress costume, here we get the reveal that she's actually locked in a padded cell and being monitored by someone with an affinity for blondes. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #42 (2003) Page 1 Pencils by David Ross, Inks by John Floyd 2003 DC As the Bat-Family struggles with Alfred's worsening condition, questions arise as to the cause of the illness and how to prevent a mass pandemic. A great title page that contrasts Leslie Thompkins and Bruce wonderfully. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #46 (2003) Page 2 Pencils by Roger Robinson, Inks by John Floyd 2003 In this striking before-and-after shot that also serves as the title splash for this issue, we see how effective the Gotham City correctional system can be by turning the raving madman The Spook into a model citizen eager to reacclimate to society! Surely that's the way this story goes, right? Pencil and ink on DC Comics art board. 11 1/2" X 17". |
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Original Art from Batman Gotham Knights #46 (2003) Page 7 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A stunning flashback splash page! While in the present The Spook is seemingly reformed and on his way to freedom, here we see him in his prime with Batman bound before him and crackling power in his hands! Pencil and ink on DC Comics art board. 11 1/2" X 17". |
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Original Art from Icon vs. Hardware #2 (2023) Page 21 Printed Pencils by Denys Cowan, Inks by John Floyd 2023 DC "You are very smart humans...But still human nonetheless" quips Icon on this awesome splash page that sees the alien hero unleashing on the two Hardwares. It's a powerful image with chunks of armor flying and a fantastic amount of detail, hammering home the power of Icon. Ink over printed pencils on comic art board. 11" X 17". |
