Comic Art
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Original Comic Art
- Comic Art: Cover 18 items
- Comic Art: Splash Page 13 items
- Comic Art: Double Page Splash 6 items
- Comic Art: Interior Page 175 items
- Comic Art: Double Page Spread 7 items
- Comic Art: Complete Story 7 items
- Comic Art: Partial Story 1 item
- Comic Art: Comic Strip 5 items
- Comic Art: Unpublished Page 4 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Art from Action Comics #704 (1994) Page 16 Pencils by Jackson 'Butch' Guice, Inks by Denis Rodier from Action Comics (1938 DC) 704 1994 DC In the aftermath of Zero Hour, the tendrils of broken continuity wrap around the Man of Steel! After discovering a body lying in the tomb of his memorial, Superman is struggling with whether he's the real deal- and the Eradicator has answers (or so he hopes). This stunning splash page sees Superman gaining the upper hand over his former doppelganger, still engulfed in flames from the being's energy attack. A powerful image that captures everything we love about 90's Superman. Signed by Rodier in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W. |
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Original Art from Army of Darkness #5 (2006) Splash Page 4 Pencils by Kevin Sharpe from Army of Darkness (2006 2nd Series) 5A 2006 Dynamite Entertainment Ash makes an impression wherever he goes, as seen on this splash page of a newspaper showing the aftermath of his adventures at Arkham Hospital battling Re-Animator's Dr. Herbert West! Pencil on Dynamite Comics art board. 11" x 17", B&W. |
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Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
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Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Detective Comics #724 (1998) Page 1 Pencils by Jim Aparo, Inks by James Hodgkins from Detective Comics (1937 1st Series) 724 1998 DC An impactful opening splash from legendary Batman artist Jim Aparo and the uber-talented James Hodgkins (who you may know these days as Jimmy Broxton!) that instantly sets the mood for this issue set in the aftermath of the massive earthquake that struck Gotham during the 'Cataclysm' storyline. There are few things more iconic in Batman comics than criminals finding themselves in the Shadow of the Bat and Aparo and Hodgkins demonstrate that beautifully on this page! Signed by Hodgkins in bottom margin. Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Doctor Strange #53 (1993) Page 6 Pencils & Inks by Geof Isherwood from Doctor Strange (1988 3rd Series) 53 1993 Marvel What a page! After seemingly escaping the clutches of Nightmare in the Astral Plane, Morbius heads to the Sanctum only to learn that Doctor Strange's corporeal form has been inhabited by the villain- and finds himself on the receiving end of Strange's mastery of the mystic arts! A striking page that shows off Isherwood's talent with a brush! Signed by Isherwood in bottom margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/2", B&W. |
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Original Art from Guardians of the Galaxy #55 (1994) Page 1 Pencils by Kevin West, Inks by Steve Montano from Guardians of the Galaxy (1990 1st Series) 55 1994 Marvel What a way to introduce a villain! West and Montano strike a perfect balance between mood and the boldness of the 90's style on the first page to Guardians of the Galaxy #55 that sees the "Interplanetary Serial Killer, Ripjack" waiting to pounce on the Gaurdians! Signed by West on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17, B&W. |
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Original Art from Lobo Gallery, Portraits of a Bastich (1995) Page 29 Pencils and inks by John Dell from Lobo Gallery, Portrait of a Bastich (1995) 1 1995 DC Fetal's Gizz, what a page! Long-time Lobo inker John Dell provides the full art for this pinup that can only be described as fraggin' beautiful. The detail on both Lobo himself and the array of weaponry pointed in his direction is a sight to behold, especially in contrast with the ink splatter background. Also included is a copy of the published issue. Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Meridian #43 (2003) Page 1 Pencils by Vincenzo Cucca, Inks by Don Hillsman II from Meridian (2000) 43 2003 CrossGen Comics Sephie and her crew survey the remains of their downed sunship...if only someone had gained a new understanding of her powers that could help them repair it! Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
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Original Art from Mystic #43 (2004) Page 1 Pencils by Aaron Lopresti, Inks by Andy Smith & Rob Hunter from Mystic (2000 CrossGen) 43 2004 CrossGen Comics Is there any better way to open a comic than with a splash of our heroes being attacked by a dragon? The Mystic team makes a compelling case that there isn't in this striking, detailed page. Powerless and cast into the past, Giselle (along with a yeti and a caveman) kicks off the final issue of the series with a bang! Signed by Lopresti in the bottom margin. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
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Original Art from What If #87 (1996) Page 7 Pencils & Inks by Frank Teran In auction ending July 17 from What If (1989 2nd Series) 87 1996 Marvel One of the grimmest and most terrifying issues of What If, this issue takes place the day after Scott and Jean's wedding where a glitch in the X-Men's electronics to allow Sabretooth to escape confinement. With most of the team away either on holiday or a mission, only Jubliee is left to stand against the monster. Teran creates an incredibly oppressive sense of atmosphere here, with the bright Shi'ar technology the mutants use depicted as something closer to H.R. Geiger's work. Pencil and ink on Marvel Comics art board. 11" x 17". NOTE: The two main figures on this page are pasted-in printed stats with some additional drawing over the printed art. |
