Comic Art
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Original Comic Art
- Comic Art: Cover 21 items
- Comic Art: Splash Page 17 items
- Comic Art: Double Page Splash 5 items
- Comic Art: Interior Page 219 items
- Comic Art: Double Page Spread 8 items
- Comic Art: Complete Story 10 items
- Comic Art: Comic Strip 14 items
- Comic Art: Unpublished Page 7 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Art from Action Comics #704 (1994) Page 16 Pencils by Jackson 'Butch' Guice, Inks by Denis Rodier from Action Comics (1938 DC) 704D 1994 DC In the aftermath of Zero Hour, the tendrils of broken continuity wrap around the Man of Steel! After discovering a body lying in the tomb of his memorial, Superman is struggling with whether he's the real deal- and the Eradicator has answers (or so he hopes). This stunning splash page sees Superman gaining the upper hand over his former doppelganger, still engulfed in flames from the being's energy attack. A powerful image that captures everything we love about 90's Superman. Signed by Rodier in bottom margin. Pencil and ink on DC Comics art board. 11" x 17", B&W. |
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Original Art from Avengers Undercover #7 (2014) Page 20 Inks by Jason Gorder, Printed Pencils by Kev Walker from Avengers Undercover (2014) 7 2014 Marvel One of the most fun tropes in comics is a shocking last page villain reveal splash and this is a great example. Thought killed by a group of the teen heroes who survived Avengers Arena, it turns out that Arcade is still alive! After Ink over printed pencils on comic art board. 11" x 17". |
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Original Art from Batman Gotham Knights #49 (2004) Page 20 Pencils by Charlie Adlard, Inks by John Floyd from Batman Gotham Knights (2000) 49 2004 DC In a shocking turn of events, Bane has chosen to aid Batman against his biological father King Snake and paid the price- but there may be a chance to save his life with a decrepit Lazarus Pit nearby! A fantastic 3/4 splash that sees Batman choose to save the life of one of his greatest foes with no hesitation. Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17" |
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Original Art from Batman Streets of Gotham #1 (2009) Story Page 1 Pencils by Georges Jeanty, Inks by Karl Story from Batman Streets of Gotham (2009) 1A 2009 DC When you're in Gotham City, be sure to visit their famous gargoyles and brood in the rain a bit- it's the citywide pastime! Kate Spencer, the most recent character to bear the title of Manhunter, gets into the noir spirit of her new home city in this bold first page splash. Signed by Jeanty in lower margin. Blue-line pencil and ink on DC comics art board. 11" x 17". |
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Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
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Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17". |
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Original Art from Doctor Strange #53 (1993) Page 6 Pencils & Inks by Geof Isherwood from Doctor Strange (1988 3rd Series) 53 1993 Marvel What a page! After seemingly escaping the clutches of Nightmare in the Astral Plane, Morbius heads to the Sanctum only to learn that Doctor Strange's corporeal form has been inhabited by the villain- and finds himself on the receiving end of Strange's mastery of the mystic arts! A striking page that shows off Isherwood's talent with a brush! Signed by Isherwood in bottom margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/2", B&W. |
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Original Art from Guardians of the Galaxy #55 (1994) Page 1 Pencils by Kevin West, Inks by Steve Montano from Guardians of the Galaxy (1990 1st Series) 55 1994 Marvel What a way to introduce a villain! West and Montano strike a perfect balance between mood and the boldness of the 90's style on the first page to Guardians of the Galaxy #55 that sees the "Interplanetary Serial Killer, Ripjack" waiting to pounce on the Gaurdians! Signed by West on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17, B&W. |
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Original Art from JLA #17 (1998) Page 22 Pencils by Arnie Jorgenson, Inks by Mark Pennington from JLA (1997) 17 1998 DC A splash so great, it needs a role call- we've got Electric Blue Superman, Wonder Woman, Aquaman (spear hand era), Flash (Wally), Green Lantern (Kyle), Batman, Martian Manhunter, Catwoman, Plastic Man, Orion, Big Barda, Oracle, Steel, Huntress, and of course- Zauriel! This fantastic full team splash is a pleasant bit of hopefulness after the team just barely fended off an attack from the mysterious Prometheus. Signed by Pennington in lower left (personalized). Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Justice League #9 (1987) Page 1 Pencils by Kevin Maguire, Inks by Al Gordon from Justice League America (1987) 9 1987 DC A fantastic title splash page from this landmark iteration of the Justice League that saw the team get a surprising new lineup and expand their operations to a truly global scale! In the wake of the revelations from the Guardians that Manhunters have been infiltrating earth disguised as humans, the team mulls over next steps as they head into Bialya. Signed by Maguire in lower margin. Pencil and ink on DC Comics art board. 11" x 16 1/4". |
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Original Art from Justice League of America #3 (2017) Page 8 Pencils by Diogenes Neves from Justice League of America (2017) 3A 2017 DC A fantastic full page splash of The Main Man grinning like the cat who caught the canary- which he did! When the League heads to Gardevia which has recently been the target of a coup by a band of superpowered mercenaries, Lobo takes it upon himself to track down the mercs' tracker...by just hanging out and smoking a cigar. Signed by the artist in lower right. Blue line and standard pencil on DC Comics art board. 11" x 17". |
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Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
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Original Art from Sable #4 (1988) Page 6 Pencils by Bill Jaaska, Inks by Doug Hazelwood from Sable (1988) 4 1988 First Comics A shocking and impactful title page that doesn't hit until page six! An assassin's bullet delivered just as Jon Sable tells Myke Blackmon that he loves her, the creative team did a wonderful job building to this moment with several pages of scenes from the sniper's point of view as she followed the couple around town on a date. Signed by Hazelwood in bottom margin. Pencil and ink with title and credit states on First Comics art board. 11" x 17". |
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Original Art from Spidey #12 (2017) Page 2 Pencils and Inks by Nathan Stockman from Spidey (2015) 12 2017 Marvel The opening splash to the final issue of this series that revisits Spider-Man's early years finds Pete being thrown through a window (likely place for him to be) by the Vulture! Stockman's figure work here is outstanding in this powerful splash that's packed with detailed linework. As is often the case with art produced in the digital age, the image of Spidey and the breaking glass was drawn on one page while the city skyline outside was drawn on another so that they could be combined digitally (see third image for the finished product!) Signed by the artist. Also included is a copy of the published issue. Pencil and ink on art board. 11" x 17" |
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Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
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Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17". |
