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Weird War Tales (1971 DC) UK Edition comic books

  • Issue #70UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Luis Dominguez. The Blood Boat!, script by J. M. DeMatteis, pencils by Dick Ayers, inks by Dan Adkins; set in the Pacific Ocean in August 1944 during World War II. Death's Double Agent, script by Mike Barr, pencils by Jerry Bingham, inks by Romeo Tanghal; set in 1943 in France during World War II. The Lonely Road to Life, script by Jack Oleck, art by Alex Niño; set on another planet sometime in the future. Daily Planet Volume 78 Issue 37, script by Bob Rozakis, art by Joe Kubert and Fred Hembeck. 36 pgs.

  • Issue #71UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Luis Dominguez. All the Wars at Once!, script by Wyatt Gwyon, art by Romeo Tanghal; set in Germany during World War II and also in a version of Hell. 21 Days in Hell, script by Jack Oleck, pencils by Danny Bulanadi, inks by Bob Smith; set on 6 December 1941 in Seattle, Washington and at Pearl Harbor during World War II, as well as at Pearl Harbor in December 1946. False Prophet, script by Jack Oleck, art by Leopoldo Duranona; set during the time of the Spanish conquistadores. Daily Planet Volume 78 Issue 41, script by Bob Rozakis, art by Mike Grell and Fred Hembeck. 32 pgs.

  • Issue #72UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Joe Kubert. Death Camp, script by J. M. DeMatteis, art by Juan Ortiz; set during the end of World War II at a concentration camp. The Battle of Morro Castle, script by David Michelinie and Roy W. Simonson (historical consultant), art by Walt Simonson; set in April 1917 in San Juan Harbor during World War I. The Experiments of Dr. Kreb, script by David Michelinie, art by Alfredo Alcala; set in the early months of 1945 in Germany during World War II. Daily Planet Volume 78 Issue 45, script by Bob Rozakis, art by Fred Hembeck. 36 pgs.

  • Issue #73UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by George Evans. The Curse of Zopyrus, script by Steve Englehart, art by Ernesto Patricio; set in ancient Greece and Sparta. 36 pgs.

  • Issue #74UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by George Evans. One page of Romeo Tanghal art. March of the Mammoth, script by Jack C. Harris, art by Alfredo Alcala; set in the latter days of World War II on the Scandinavian Front. The Cold War, script by Paul Kupperberg, art by George Evans; set during the Napoleonic Wars of 1812 in Moscow. Dead Image, script by Bill Kelley, art by Ric Estrada; set in Saigon, South Vietnam during the Vietnam War. 36 pgs.

  • Issue #75UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Joe Kubert. The Forgery, script by Wyatt Gwyon, pencils by Mike Sekowsky, inks by Romeo Tanghal; set in the Netherlands during World War II. Fire of the Gods!, script by Paul Kupperberg, pencils by Don Heck, inks by John Celardo; set from 334 B.C. to 330 B.C. in Chai'chung village, China. Ghost Patrol, script by Bob Rozakis, pencils by George Ruppert, inks by Dan Adkins; set on 1 August 1944 in France during World War II. Four soldiers become ghosts as a kind of updated version of the Ghost Patrol. 36 pgs.

  • Issue #76UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Joe Kubert. One page of Romeo Tanghal art. The Fire Bug, script by Paul Kupperberg, art by Howard Chaykin; set on 13 February 1945 in France during World War II. Wreck of the Ophelie, script by Wyatt Gwyon, art by Gerry Talaoc; set along the Gulf of Lions during the reign of Louis XIV. Know Your Enemy!, script by J. M. DeMatteis, pencils by Gale Heimbach, inks by Joe Giella; set in New York state in December 1967 during the Vietnam War. 36 pgs.

  • Issue #77UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Joe Kubert. Triad, script by Murray Boltinoff, art by Ruben Yandoc [as Rubeny]; set during World War II—three brothers, three dooms! 36 pgs.

  • Issue #78UK

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    UK edition. Identical to US edition, but has 12p cover price. Cover art by Joe Kubert. One page of Romeo Tanghal art. The Indian War in Space, script by Michael Uslan, art by Romeo Tanghal; set sometime in the future in space. Eddie!, script by Bob Haney, pencils by Juan Ortiz, inks by Frank Chiaramonte; set during World War II; includes robotic soldiers similar to G.I. Robot. The Tunnels, script by Murray Boltinoff, pencils by Dick Ayers, inks by John Celardo; set in South Vietnam during the Vietnam War. 36 pgs.

  • Issue #79UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of Romeo Tanghal art. Solo Mission, script by Bob Rozakis, pencils by Romeo Tanghal, inks by Frank Chiaramonte; set on an island in the Pacific during World War II. The Gods Themselves, script by J. M. DeMatteis, art by Jess Jodloman; set at sea during the time of ancient Rome and Julius Caesar. Spy's House, script by Bob Rozakis, art by Jerry Grandenetti; set in summer 1943 on Long Island, New York during World War II. It's a Bird, It's a Plane, It's a Winner! contest results with Christopher Reeve photo. 36 pgs.

  • Issue #80UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of Romeo Tanghal art. An Old Man's Profession, script by Steve Gerber, art by Jess Jodloman; set in a city in present day. Heads Up, script by Paul Kupperberg, art by Ruben Yandoc; set outside Da Nang during the Vietnam War. Ring of Fire!, script by Robert Kanigher [as Kanigher], art by Ric Estrada; set during World War II in England and the skies over France. Technology... 13th Century Style fact page by Murray Boltinoff, art by Sid Greene (signed); starring Julie Schwartz as Viktor. Daily Planet Volume 79 Issue 29, script by Bob Rozakis, art by Fred Hembeck. 36 pgs.

  • Issue #81UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. It Takes Brains to Be a Killer, script by George Kashdan [as G. Kashdan], art by Gerry Talaoc [as G. Talaoc]; set in Korea in 1951 during the Korean War. Frieze Frame, script by Paul Kupperberg, art by Don Heck; set in the 1527 Sack of Rome. Brother War, script by Paul Kupperberg, art by Ric Estrada; set during the Civil War. Daily Planet Volume 79 Issue 33 by Bob Rozakis, strip by Fred Hembeck. 36 pgs.

  • Issue #82UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by George Evans. One page of art by Romeo Tanghal. Funeral by Fire, script by George Kashdan, art by Ruben Yandoc [as Rubeny]; set in the Carpathian foothills of "Rumania" during World War II. The Toy Battle, script by George Kashdan, art by Howard Chaykin; set during the Franco-Prussian War in 1871 near Lorraine, France. An Outbreak of Peace, script by George Kashdan, pencils by Don Newton, inks by Dave Hunt; set in the south Pacific during World War II, as well as in Atlantis. DC Puzzle by Bob Rozakis. 36 pgs.

  • Issue #83UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by George Evans. One page of art by Romeo Tanghal. Prison of the Mind, script by George Kashdan, art by Ruben Yandoc; set in Isreal in October and November 1974. Hostess Fruit Pies ad with the Flash. A Toast to the Dying, script by George Kashdan, art by Romeo Tanghal; set in a Rumanian mountain village and Braklowa Castle during World War II. Penitence, script by Paul Kupperberg, art by Ric Estrada; set in Rhodesia in 1891. 36 pgs.

  • Issue #84UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. Devil's Due, script by George Kashdan, art by Ernesto Patricio; set in 1917 in Russia. The Peacemaker, script by Mike W. Barr, pencils by Charles Nicholas, inks by John Celardo; set weeks after D-Day in Hume, France during World War II. The Once and Future War, script by Paul Kupperberg, art by Jose Matucenio; set in the British Isles in the 5th century A.D., as well as during World War II. 36 pgs.

  • Issue #85UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by George Evans. The War on the Edge of Reality!, script by J. M. DeMatteis, art by Tenny Henson; set during World War II and in one or more alternate universes. 36 pgs.

  • Issue #86UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. Freed from the Depths, script by Bill Kelley, art by Ruben Yandoc [as Rubeny]; set in the Berin Sea during World War II. Hostess snack cake ad with Green Arrow. Into Thin Air, script by Jay Zilber, pencils by Jack Sparling, inks by Joe Giella; set during World War II. 36 pgs.

  • Issue #87UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. Hell Can Wait!, script by Robert Kanigher [as Bob Kanigher], art by Dino Castrillo; set in the Mesozoic period, the time of pre-historic man, the time of the Great Flood, the time of the cliff dwellers of Mesa Verde, during World War II, and sometime in the future. The Hundred-Year Curse, script by Bill Kelley, art by Tom Sutton; set in England between 1320 and 1375. 36 pgs.

  • Issue #88UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. Night of the Seminole, script by Michael L. Fleisher, art by Abe Ocampo; set in Florida in spring 1858 during the Seminole Wars. 36 pgs.

  • Issue #89UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Jim Starlin. One page of art by Romeo Tanghal. Primate Patrol, script by George Kashdan, pencils by Ken Landgraf, inks by Dave Simons; set in Africa during World War II. This Ship Shall Be Your Coffin, script by George Kashdan, art by Ric Estrada; set in May 1942 in the Battle of the Coral Sea during World War II. Death the Dread Drummer, script by Robert Kanigher, art by Ruben Yandoc [as Rubeny]; set in summer 1917 on the Western Front during World War I. Death does not host but appears as "Death the Dread Drummer." 32 pgs.

  • Issue #90UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. Beyond Gotterdammerung, script by Bob Haney, art by E. R. Cruz, set in 1945 at a German naval base dock during World War II, as well as in the Atlantic Ocean. An Army in Reserve, script by George Kashdan, art by Fred Carrillo; set in the Congolese Jungle in 1885. It's the Answer Man! by Bob Rozakis. Milt Snapinn bio by Mike Barr. 36 pgs.

  • Issue #91UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. The Fire Down Below, script by J. M. DeMatteis, art by Ernesto Patricio; set in Tokyo late in World War II. The Miracle of the Catacombs!, script by Robert Bernstein, art by Dan Adkins; set in Italy during World War II. Conquer or Die!, script by Bob Haney, art by Tom Sutton; set in England on 14 October 1066, The Battle of Hastings. 2nd Class Citizens, script by Paul Kupperberg, pencils by Dick Ayers, inks by John Celardo; set sometime in the future. 36 pgs.

  • Issue #92UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. The Ravaging Riders of Ruin!, script by Cary Burkett, art by Tom Sutton; set during the Crusades; Death does not host but appears in the story. Fight Fire with Fire, script by George Kashdan, art by Frank Redondo; set at a remote German stronghold toward the end of World War II. Big Cheese humor page by Dave Manak. 36 pgs.

  • Issue #93UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One page of art by Romeo Tanghal. The Creature Commandos!, script by J. M. DeMatteis, pencils by Pat Broderick, inks by John Celardo; set during World War II. Ultimate Weapon, script by George Kashdan, pencils by Denys Cowan, inks by John Celardo; set sometime in the future. Rising Sun, script by Mike W. Barr, by Noly Zamora; set in the early 1940s in a Japanese-American relocation camp during World War II. Life Hangs by a Thread, script by Carl Wessler, pencils by Vicente Alcazar, inks by Vicente Alcazar; set in 1942 in the Pacific Theater during World War II. 36 pgs.

  • Issue #94UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. The Eye of Hell!, script by Robert Kanigher, art by Franc Reyes; set in 1943 in the South Pacific during World War II. Hungry for the Kill, script by George Kashdan, pencils by Dick Ayers, inks by Dan Adkins; set on a Pacific island "far from any combat zone." Weird War Games, script and art by Dave Manak. Through the Past...Darkly!, script by J. M. DeMattes, art by Gerald Forton. Battle Angel!, script by Robert Kanigher, art by Fred Carrillo; set in summer 1916 in the Argonne Sector during World War I. 36 pgs.

  • Issue #95UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. Come Play War with Me!, script by George Kashdan, art by Fred Carrillo; set in 1853 in the Crimean Mountains during the Crimean War. The Way of the Horse, script by Dan Mishkin and Gary Cohn, art by Nestor Infante; set among native Americans in the American plains at an unknown time. The 600 Heads of Death!, script by Robert Kanigher, art by Steve Ditko; set hundreds of years ago on Easter Island. Between Flesh and Fantasy, script by J. M. DeMatteis, art by Noly Zamora; set during World War II. 36 pgs.

  • Issue #96UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. The Mutation of Pvt. Voight!, script by J. M. DeMatteis, art by Dan Spiegle; set in 1967 during the Vietnam War in the United States and South Vietnam. Weird War Games humor page by Dave Manak. Where Hatred Blooms, script by George Kashdan, art by Ruben Yandoc [as Rubeny]; set in Holland during World War II. The Last Shot Fired, script by George Kashdan, art by Tenny Henson; set sometime in the future, after the 1990s. Hangman's Knot, script by Robert Kanigher, art by Vicente Catan [as Vicatan]; set in 1899 on the Yangtze River in China. 36 pgs.

  • Issue #97UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover pencils by Ross Andru, inks by Romeo Tanghal. The Faceless Enemy!, script by J. M. DeMatteis, art by Fred Carrillo; set in France during World War II. The Master Infiltrator, script by Bob Rozakis, art by Dan Spiegle; set in 1941 during World War II. 36 pgs.

  • Issue #98UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover pencils by Ross Andru, inks by Romeo Tanghal. The Sphinx Walks!, script by Paul Kupperberg, art by Noly Zamora; set in Egypt in 1942 during World War II. Dictators Die Twice!, script by Robert Kanigher, pencils by Jan Duursema, inks by Larry Mahlstedt; story on how Caesar tricked death by hiring an actor to play him. Heal the Hopeless, script by George Kashdan, pencils by Romeo Tanghal, inks by Vince Colletta; set in summer 1881 in Arizona. 36 pgs.

  • Issue #99UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover pencils by Dave Cockrum, inks by Dick Giordano. A Gauntlet of Giants!, script by Robert Kanigher, pencils by Dave Cockrum, inks by Jerry Ordway; the crew of an American PBA (flying boat) are plucked from the sky by a pterodactyl and must fights for their lives against all sorts of dinosaurs. A Match Made in Hell!, script by George Kashdan, art by Ric Estrada; set in Colonial Bengal. Man's Best Enemy, script by George Kashdan, art by Steve Ditko; set during World War II. Divine Wind, script by Mike W. Barr, art by Mar Amongo; set in Japan and over the Pacific Ocean during the last days of World War II. 36 pgs.

  • Issue #100UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One-page intro with art by Joe Kubert. Dinosaur Convoy, script by Mike W. Barr, pencils by Bob Hall, inks by Jerry Ordway; set in the south Pacific in 1943 during World War II. Stop the War, I Want to Get Out!, script by Robin Snyder, pencils by Trevor von Eeden, inks by Bret Breeding; set on a movie soundstage in present day. The Scavengers!, script byJohn Warner, art by Vicente Catan [as Vicatan]; set in 16th century Japan. Death does not host but appears in the story. 36 pgs.

  • Issue #101UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover pencils by Ross Andru, inks by Dick Giordano. My Buddy--The Robot!, script by Robert Kanigher, art by Pepe Morino Casaris; set during World War II. Dry Run, script by George Kashdan, art by Danny Taberna; set in the year 2000. Twice a Traitor, script by Dan Mishkin; Gary Cohn, art by Angel Trinidad Jr.; set in French Indochina in 1953. Push-Button Hero!, script by George Kashdan, art by Vicente Catan [as Vicatan Jr.]; set during World War II. 36 pgs.

  • Issue #102UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover pencils by Rich Buckler, inks by Dick Giordano. Dog Tag Lottery, script by Michael Fleisher, art by Noly Zamora; set in the Korean War. Grudge Match in the Grave, script by David Allikas, pencils by Luke McDonnell, inks by Rodin Rodriguez; set during World War II at a Nazi camp. The Children's Crusade!, script by J. M. DeMatteis, art by Fred Carrillo; set during World War II. A Wish to Die!, script by George Kashdan, art by John Celardo; set in "a sandy African shiekdom." Astral Attackers, script by Dan Mishkin and Gary Cohn, pencils by Trevor von Eeden, inks by Jerry Ordway; set in a video game arcade in present day, as well as in outer space. 36 pgs.

  • Issue #103UK

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    UK edition. Identical to US edition, but has 15p cover price. Cover art by Joe Kubert. One-page intro, script by Len Wein, art by Romeo Tanghal. A Little Knowledge..., script by Bruce Jones, art by Tom Sutton; set sometime in the future. The Tomb at the Top of the Stairs!, script by David Allikas, pencils by George Tuska, inks by Larry Mahlstedt; set in Berlin in the final days of World War II. Epitaph for a Monster, script by Robert Kanigher, pencils by Bob Hall, inks by Jerry Ordway; set during World War II in a submarine and on an island of dinosaurs. The White Knight, script by Paul S. Newman, art by Tom Yeates; set during the Crusades in 1191 near Jerusalem. A letter from Todd McFarlane. 36 pgs.