Auctions: comic books

One World Under Doom (2025 Marvel) 4H CGC 9.8

Paper: White

Ross Sketch Cover.

Label #4617793006

Limited 1 for 100 Retailer Incentive Variant Cover. Written by Ryan North. Art by R.B. Silva. Cover by Alex Ross. Sensing vulnerability, Dormammu has attacked Earth - and only Doom stands in his way! Dormammu has banished all other heroes to a pocket dimension, leaving Doom to stand alone against the Dark Lord of Chaos. But on the other hand...Doom has never needed allies in order to ensure that his will is done. It's the ultimate showdown between two titans - with an ending you won't see coming. As Earth hangs in the balance, it all comes down to DOOM VERSUS DORMAMMU. 32 pages, full color. Rated T+ Cover price $4.99.

One World Under Doom (2025 Marvel) 5B CGC 9.8

Paper: White

Variant Edition.

Label #4610110004

Written by Ryan North. Art by R.B. Silva. Cover by Ken Lashley. Dormammu has come for Doom - and Doom has SURVIVED. Broken, depleted, but having bought the time he needed, Doom ensured that all Earth's heroes would survive. These heroes now face a choice: They can allow Earth to fall to Dormammu - or they can align with Doom and fight for Earth beside him. Doom is at his highest - with Earth's heroes behind him, nothing can stop him now. Nothing, that is, save for an unexpected return of an old foe... 32 pages, full color. Rated T+ Cover price $4.99.

One World Under Doom (2025 Marvel) 6C CGC 9.8

Paper: White

Villalobos Variant Cover.

Label #4626537003

Written by Ryan North. Art by R.B. Silva. Cover by Pablo Villalobos. • Dooms reign has been a success for months – with even some of the heroes questioning if theyre on the right side. • A final desperate gamble is conceived, and Reed reveals a terrible secret hes acquired about Dooms global domination – but will it be enough? And what has Doom been hiding under that Latverian Dome? • All is revealed – at terrible cost! Its the beginning of the end for some, and the beginning of a new age for others... 32 pages, full color. Rated T+ Cover price $4.99.

One World Under Doom (2025 Marvel) 7C CGC 9.8

Paper: White

Kerigan Variant Cover.

Label #4653192007

Written by Ryan North. Art by R.B. Silva. Fallout continues from what was revealed last month, and Doom finds his grip on power loosening. But he's not going to give it up without a fight - on several fronts. Doom once sought glory, but that glory is now dead. All that is left is power and control as rebellions in several countries are quickly - and brutally - put down. As Doom prepares to make his final stand, and a world's army stands against him, only a few can see the truth... ...it's not enough. Emperor Doom is going to win. And so Mr. Fantastic prepares a last, desperate gamble... 32 pages, full color. Rated T+ Cover price $4.99.

Only the Savage are Left (2026 Dark Horse) 1D CGC 9.8

Paper: White

Variant Cover D.

Label #4754916001

Limited 1 for 20 Retailer Incentive Variant Cover. (W) Zack Kaplan (A) Stefano Raffaele (CA) David Mack (C) Thiago Rocha A strange virus has spread across the world, transforming its victims into monsters. The only cure is to kill another infected soul. When a nonviolent young man sets out from the safety of his settlement to find his missing true love, he must face the corrupted world of monsters and monster-killers. A dramatic survival adventure that dares to ask what we should stand for in the monster apocalypse.• Hit-making author Zack Kaplan (Kill All Immortals, Port of Earth) and Eisner-nominated illustrator Stefano Raffaele (Detective Comics, Alien vs. Captain America) join forces for a post-apocalyptic action-adventure! • A tale of two lovers fighting for survival in the aftermath of the apocalypse—equal parts harrowing and heartfelt! • Five-issue series. 28 pages, not rated, full color Cover price $4.99.

Onslaught X-Men (1996) 1B CGC 9.6 Miller American Entertainment Variant

Paper: White

Slab: Chipped/broken bracket

Variant Cover.

Label #4566934010

American Entertainment (Another Universe) Variant Cover by Mike S. Miller. Traitor to the Cause. Story continues from X-Men #54 and continues in Uncanny X-Men #335. Script by Scott Lobdell and Mark Waid. Pencils by Adam Kubert and Pasqual Ferry. Inks by Dan Green and Art Thibert. Wraparound cover by Adam Kubert. The storyline that will change the Marvel Universe forever kicks into high gear! At the Xavier Institute in Westchester County, Onslaught (through the body of Professor X) reveals himself to the X-Men! The uncanny heroes are shocked and then overwhelmed by the powerful psionic entity! In an act of sheer desperation, Jean Grey rushes to the ZNox Chamber to call for help! But the awesome Onslaught cuts her off in mid-sentence! The X-Men will have to survive their first battle vs. Onslaught on their own! Cameo appearances by the Avengers, Fantastic Four, Franklin Richards, Juggernaut, X-Man (aka Nate Grey), and the Sentinels. X-men Lineup: Bishop, Cannonball, Cyclops, Gambit, Iceman, Jean Grey, Storm, and Wolverine. (Notes: Printed on glossy paper. There are not any advertisements inside.) 48 pages. Cover price $3.95.

Orbit (1990) 1 VF/NM 9.0

Painted cover by Dave Stevens. "Nothing For Nothing," script by Isaac Asimov (original story) and Fred Burke (adaptation), art by John Bolton; Aliens try to trade with Cro-Magnon humans. "GINNY SWEETHIPS' FLYING CIRCUS," script by Neal Barrett, Jr. (original story), Leslie Clague (adaptation), and Steve Niles (adaptation), art by Mark Pacella; A woman, an accountant droid, and an anthropomorphic opossum try to survive the collapse of civilization by selling sex, tacos, and dangerous drugs. "Fermi and Frost," script by Frederik Pohl (original story) and Brent Eric Anderson (adaptation), art by Brent Eric Anderson; Refugees from World War III try to survive a nuclear winter in Iceland. Back cover illustration by John Bolton. 52 pgs., full color. $4.95. Cover price $4.95.

Orbit Birth of a Slasher (2025 TidalWave Comics) 1HORN.B CGC 9.8

Paper: White

Horn "Virgin" Edition.

Label #4719244004

"Ghostface" Edition Virgin Cover by Greg Horn. Story by Michael Frizell. Art by Martin Gimenez. Slashers made horror iconic - and Orbit: Birth Of A Slasher is your VIP pass to every masked maniac, final girl, and epic scream that changed pop culture forever. From Psycho's first shocking stab to Friday the 13th's endless carnage and Scream's meta mayhem, we slice through the legends, the rip-offs, the reboots, and the blood-drenched blockbusters that made fear fashionable. Meet the killers who ruled the box office and the survivors who flipped the script. Packed with behind-the-scenes facts, unforgettable moments, and killer artwork, this is a fast, fierce ride through six decades of guts, gore, and glory. Whether you're team Freddy, Jason, or Ghostface-this history lesson cuts deep.

Original Art from Alien Encounters #7 (1985) Page 7 Pencils and Inks by Bo Hampton

The penultimate page to this story about the endless cycle of war sees human soldiers Frank and Jenny reunited in the fog of battle- though Jenny, now disguised as an 'alien' has learned some things about the nature of this war and may no longer be on Frank's side. Fantastic work from Hampton here, especially in the centerpiece 5th panel as Jenny (embellished with some grease pencil!) faces her breaking point. Signed by Hampton in lower margin. Pencil and ink on art board. 11 1/4" x 16".

Original Art from Alien Encounters #7 (1985) Page 8 Pencils and Inks by Bo Hampton

The dramatic final page to this story of two human soldiers fighting a war they don't understand on an alien planet! Jenny, now disguised as an alien, has learned that the humans aren't as righteous as she believed and turns on Frank before losing the showdown. We do end on a hopeful, but haunting note here as new life emerges! Signed by Hampton in lower margin. Pencil and ink on art board. 11 1/4" x 16".

Original Art From Batgirl #3 (2011) Page 8 Inks by Vicente Cifuentes, Printed Pencils by Ardian Syaf

After failing to stop a train bombing Barbera Gordon seeks the comfort that only a parent can give their child. Unfortunately with the department shorthanded Commissioner Gordon has to handle business, leaving Barbera to wait in the doorway. Ink over printed pencil on art board. 11 5/8" X 16 1/2."

Original Art From Batgirl #3 (2011) Page 9 Inks by Vicente Cifuentes, Printed Pencils by Ardian Syaf

When Barbera Gordon Comes to see her father, Jim Gordon, after a train bombing, the police commissioner and detective can immediately tell something is bothering her. Instead of telling him all the things she wants to tell him she just says "I guess i just missed you, dad." Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Big Bang Adventures #37 (2026) Page 1 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17

Original Art from Big Bang Adventures #37 (2026) Page 10 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 11 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 12 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 13 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 14 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 19 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 2 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 20 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 23 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 24 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 25 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 26 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 3 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 4 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 8 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Big Bang Adventures #37 (2026) Page 9 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Deathstroke #49 (2020) Page 15 Inks by Vicente Cifuentes, Printed Pencils by Fernando Pasarin

With his powers heightened thanks to Lex Luthor, Jericho confronts the alternate reality version of his father. Deathstroke wants the power Jericho has and is desperate to have it while Jericho grapples with the implications of using this power that was intended for evil. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Deathstroke #49 (2020) Page 16 Inks by Vicente Cifuentes, Printed Pencils by Fernando Pasarin

In this dramatic shot Jericho realizes all his father has ever cared about is power and that by using the diode he is acting just as he would. Instead he decides to rip it off and cast it into space even though it almost certainly means his death. Ink over printed pencil on art board. 11 5/8" X 16 1/2".

Original Art from Deathstroke #49 (2020) Page 17 Inks by Vicente Cifuentes, Printed Pencils by Fernando Pasarin

Just when it seems like he's through, Deathstroke pulls another rabbit out of his hat (or lighter out of his pocket in this case) and begins to transform into his high tech armor just before the bubble shielding him dissipates and the vacuum of space can do its job. The same cant be said for Jericho as we see his body float limply in the distance. Ink over printed pencil on art board. 11 5/8" X 16 1/2".

Original Art from Deathstroke #49 (2020) Page 20 Inks by Vicente Cifuentes, Printed Pencils by Fernando Pasarin

After begging his father to embrace him just one time before he dies, Jericho begins to envelope Deathstroke in some kind of protoplasm causing him to plumet toward the earth where he crashes and is met by the one man who can take down Deathstroke the Terminator. Deathstroke the Terminator! Ink over printed pencils on art board. 11 5/8" X 1 1/2".

Original Art from First Guard #2 (2026 G-Man Comics) Page 1 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 10 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 11 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 12 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 3 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 4 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 5 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 6 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 7 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 8 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 9 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Injustice 2 #5 (2017) Page 5 Inks Vicente Cifuentes, Printed Pencils by Bruno Redondo

Bruce Wayne. Ted Kord. Two normal humans who used nothing but their brains, brawn, and bottomless fortunate to fight crime as costumed vigilantes, but as time has passed things have changed. Batman now fights to heal the wounds Superman caused from his tyrannical regime, while Ted, retired from superheroics, trains the next generation of Blue Beetle. It is up to these two and select others chosen by batman specifically for their wealth and connections to guide the world out of the haze that was Superman's regime and into a new brighter world. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Injustice Gods Among Us Annual #1 (2014) Pg 10 Inks and Printed Pencils by Vicente Cifuentes

After having the bright idea to impersonate Jim Gordons long missing wife, Clayface now finds himself on the wrong side of a rightfully pissed off former police commissioner. Cifuentes does a great job of making Gordon into this imposing figure while the monstrous Clayface looks absolutely terrified. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Secret Files of the Suicide Squad Digibook (2016) Page 8 Printed Pencils and Ink by Vincente Cifuentes

Deadshot gets his target in his sights and, after setting his face with an expression of determination, squeezes the trigger and fires through the window. Classic Deadshot. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Secret Files of the Suicide Squad Digibook (2016) Page 9 Printed Pencils and Ink by Vincente Cifuentes

After Deadshot eliminates his target, the mans family rushes around the body as Deadshot holds his position. Later back home, Deadshot is reunited with his daughter as they embrace in a hug for a nice parallel. Inks over printed pencil on art board. 11 5/8" X 16 1/2".

Original Art from Spectre #25 (2003) Page 3 Pencils by Norm Breyfogle, Inks by Dennis Janke

The DEO's Agent Franco is tracking the monstrous meta known as Rabid as he tears across the country- but is there more to this than just another rampaging brute? Breyfogle and Janke present this scene nicely with the zoom in on on the ghostly image of The Spectre visible in the broken glass behind Rabid. Signed by Breyfogle in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Superboy #150 (1968) Page 10 Pencils by Bob Brown, Inks by Jack Abel

A dramatic page from this surprisingly creepy adventure of Superboy that finds the Kent family dealing with an uninvited houseguest- the mysterious "Uncle" Cipher! On this page we see Superboy putting together his plan to remove the stranger from his home as thunderstorms batter Smallville with some great images of the villain to close out. Pencil and ink on art board. 10 3/4" x 16 1/4".